A Korean mother flies from Seoul to Winnipeg after her daughter falls into a coma, then decides the best medicine is a catfished husband. The comedy-drama that follows is really about what happens when immigrant parental control meets a daughter's actual life, including a girlfriend the mother did not plan for. The film earns a Leans Progressive label through its central arc: Sara begins as a meddling traditionalist armed with patriarchal assumptions, and the story treats her shift toward acceptance of her daughter's queer relationship and independence as the emotional payoff. Cultural clash and immigrant family dynamics add texture, but acceptance and personal growth do the ideological heavy lifting here.