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The Passing (1992)
Internationally acclaimed and award-winning video installation artist Bill Viola juxtaposes personal pictures of his mother's death with images of his own son's birth to explore foundational and potent themes of beginnings and endings, the cycle of life and the movement of generations. An evocative exploration of personal and communal spirituality, this deeply felt film is a poetic masterpiece to contemplate time and again.
Internationally acclaimed and award-winning video installation artist Bill Viola juxtaposes personal pictures of his mother's death with images of his own son's birth to explore foundational and potent themes of beginnings and endings, the cycle of life and the movement of generations. An evocative exploration of personal and communal spirituality, this deeply felt film is a poetic masterpiece to contemplate time and again.
The film's central subject matter revolves around universal existential themes of birth, death, and the cycle of life, which inherently lack a strong political valence. It offers an artistic meditation rather than promoting any specific ideological solution or critique.
Bill Viola's 'The Passing' is a deeply personal video art piece featuring the artist and his family, without any explicit DEI-driven casting or character representation. The non-narrative structure focuses on universal themes of life and death, and does not engage in critique or framing of traditional identities.
Based on the provided information, 'The Passing' does not feature identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film 'The Passing' (1992) by Bill Viola is an experimental video art piece exploring themes of birth, death, and the subconscious through underwater imagery. Based on available information, there are no identifiable transsexual characters or themes present in the film's narrative or visual content.
The movie does not contain any action or adventure elements.
The Passing (1992) is an original video art piece by Bill Viola, not an adaptation of existing source material with established characters. Therefore, there are no canonical characters whose gender could be swapped.
The Passing (1992) is an experimental video art piece by Bill Viola, not a narrative film with characters established in prior source material or history. Therefore, the concept of a 'race swap' does not apply.
Combines user and critic ratings from four sources



