10.0
Viewer Rating
Combines user and critic ratings from four sources
The Phantom of the Opera (1929)
The Phantom of the Opera (1929)
Overview
Reissued version of 'The Phantom of the Opera' with a synchronized score, sound effects, new dialogue sequences, and footage reshot by directors Ernst Laemmle and Frank McCormick.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
10.0
Overview
Reissued version of 'The Phantom of the Opera' with a synchronized score, sound effects, new dialogue sequences, and footage reshot by directors Ernst Laemmle and Frank McCormick.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central themes of obsessive love, horror, and the conflict between beauty and deformity are largely apolitical, focusing on individual madness and the restoration of order rather than promoting a specific political ideology or societal critique.
This 1925 silent film features a cast predominantly composed of white actors, reflecting the common casting practices of its era without intentional diversity or race/gender swaps. The narrative focuses on its horror and romance themes, without critically examining traditional identities or incorporating explicit DEI-driven critiques.
Secondary
The 1925 film 'The Phantom of the Opera' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a heterosexual love triangle and the Phantom's obsessive pursuit of Christine Daaé, with no elements suggesting queer identities or relationships.
The provided information for 'The Soul of a Peasant' lacks any details regarding transsexual characters or themes. Consequently, an evaluation of the film's portrayal and its net impact is not possible, leading to an N/A determination.
The movie does not contain any action or adventure elements.
The 1929 film adaptation of "The Phantom of the Opera" faithfully portrays the genders of its main characters as established in Gaston Leroux's original novel. No characters canonically, historically, or widely established as one gender were depicted as a different gender in this film.
The 1929 film adaptation of "The Phantom of the Opera" features characters whose on-screen portrayals align with their established or implicitly understood racial backgrounds from Gaston Leroux's original novel. No major character's race was altered from the source material.
Viewer Rating Breakdown
User Ratings
N/A
10.0
Critic Ratings
N/A
N/A
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