Leans Progressive
8.5
Neon Genesis Evangelion: The End of Evangelion
(1997)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
The Pigeon (1952)
The Pigeon (1952)
Overview
Isamu is a high school student who raises a pigeon at home amidst his father's opposition.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Isamu is a high school student who raises a pigeon at home amidst his father's opposition.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes the ideals of Soviet Pioneerism, emphasizing state-sponsored collectivism, ideological education, and communal spirit, which aligns with a clearly left-wing (communist/socialist) political stance.
The movie features a visibly diverse cast, reflecting its international setting, without explicit DEI-driven recasting of traditionally white roles. The narrative critiques institutional corruption, where antagonists are predominantly older white males, but this is framed as a critique of power rather than a broad negative portrayal of traditional identities.
Secondary
Based on the lack of specific plot or character information for 'Pioneerism No. 3', an evaluation of its LGBTQ+ portrayal is not possible. Thus, it is categorized as N/A, indicating no identifiable LGBTQ+ content in the given context.
The film features a cisgender female character who cross-dresses as a man to gain access to education, a common plot device in historical narratives. This disguise is a temporary means to an end and does not explore themes of transsexual identity or gender transition, thus no identifiable transsexual characters or themes are present.
The movie does not contain any action or adventure elements.
Pioneerism No. 3 is an early short film by Eldar Ryazanov. There is no available information indicating it is an adaptation of a work with pre-established characters or a biopic of specific historical figures. Therefore, no characters exist with a prior canonical gender to be swapped.
Without information regarding the film's source material, specific characters, or their established canonical/historical races, it is not possible to identify any instance of a race swap according to the provided definition.
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