Viewer Rating
Combines user and critic ratings from four sources
Drama, Romance • 1995 • 126 min • Adults (18+)

Peter Greenaway's 1995 art film follows Nagiko, a Japanese woman whose obsession with calligraphy written on skin shapes her romantic and artistic life across several relationships. The NC-17 rating signals what to expect: this is a film built around erotic expression, bisexuality, and personal liberation, treated as art rather than scandal. Jerome, a prominent bisexual character, is portrayed with dignity and without apology. The story normalizes non-marital sexuality and frames individual desire as a legitimate path to identity. No religion, conventional family structure, or political ideology competes for screen time. Leans Progressive fits because the film's entire moral logic rests on sexual and artistic freedom as goods worth pursuing on their own terms.
Vivian Wu • Ewan McGregor • Yoshi Oida
Peter Greenaway's 1995 art film follows Nagiko, a Japanese woman whose obsession with calligraphy written on skin shapes her romantic and artistic life across several relationships. The NC-17 rating signals what to expect: this is a film built around erotic expression, bisexuality, and personal liberation, treated as art rather than scandal. Jerome, a prominent bisexual character, is portrayed with dignity and without apology. The story normalizes non-marital sexuality and frames individual desire as a legitimate path to identity. No religion, conventional family structure, or political ideology competes for screen time. Leans Progressive fits because the film's entire moral logic rests on sexual and artistic freedom as goods worth pursuing on their own terms.
Vivian Wu • Ewan McGregor • Yoshi Oida
The film primarily explores themes of art, identity, and personal liberation through highly aesthetic and philosophical means, rather than engaging with mainstream political ideologies. Its focus on ritual, beauty, and a deeply personal quest for artistic expression prevents it from aligning strongly with either progressive or conservative political agendas.
The movie features a diverse cast appropriate to its Japanese cultural setting, with a Chinese-American actress in the lead role and a white actor portraying a foreign character. The narrative focuses on themes of art, identity, and revenge, without explicitly critiquing traditional identities or making DEI themes central to its storytelling.
The Pillow Book features Jerome, a prominent bisexual character whose relationships with both men and women are depicted with dignity and complexity. His bisexuality is presented as a natural aspect of his identity, integrated into the narrative without judgment or negative stereotyping. The film explores diverse sexualities with an artistic and non-punitive tone, affirming the validity of queer desire.
The film portrays a protagonist whose adult life is defined by multiple non-marital sexual relationships and a focus on individual artistic and sexual expression, clearly normalizing and celebrating sexual freedom and alternative relationship structures over traditional family norms.
The Pillow Book does not feature any identifiable transsexual characters or themes. The narrative focuses on Nagiko's journey of self-discovery through calligraphy and various sexual relationships, exploring themes of art, desire, and identity more broadly, without specific engagement with transsexual experiences or gender transition.
The movie does not contain any action or adventure elements.
The film creates original characters for its narrative, which is inspired by Sei Shōnagon's historical work. No characters from the original source material or historical figures are portrayed with a different gender in the film.
The film features original characters created for its narrative. While the protagonist is a Japanese character portrayed by a Chinese actress, this constitutes an ethnic or national shift within the same broader racial category, which is excluded from the definition of a race swap.
Not depicted in the film.
Combines user and critic ratings from four sources























