Viewer Rating
Combines user and critic ratings from four sources

The Razor's Edge (1985)
Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.
Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.
This film delves into the profound human experience during the Lebanese Civil War, exploring the personal struggles of individuals grappling with displacement and the search for meaning amidst widespread conflict. It offers a reflective portrayal of the era without advocating for a specific political viewpoint or ideological solution.
The cast features visible diversity with actors from various cultural backgrounds. The narrative does not explicitly critique traditional identities or center on DEI themes.
The film depicts the tragic consequences of sectarian conflict in Lebanon, where Christian factions are central to the warring parties. The narrative portrays the role of religious identity in fueling division and violence, leading to widespread suffering.
The film illustrates the devastating impact of sectarian conflict in Lebanon, with Muslim factions playing a key role in the hostilities. The narrative highlights how religious identity contributes to division and violence, resulting in profound human cost.
There is not enough publicly available information for AI to assess this category for this movie.
There is not enough publicly available information for AI to assess this category for this movie.
The movie does not contain any action or adventure elements.
The film features original characters created for its narrative. There are no instances of characters with a previously established gender from source material, history, or prior adaptations being portrayed as a different gender.
The film "Une vie suspendue" is an original work, not an adaptation of existing source material. Its characters were created for this production, meaning there are no pre-established canonical or historical racial identities to be altered. Therefore, no race swaps occur within the film.
There is not enough publicly available information for AI to assess this category for this movie.
Combines user and critic ratings from four sources























