Leans Traditional
7.1
Josee, the Tiger and the Fish
(2003)
Political: Center
Diversity: Low
The Rise and Fall of a Jazz Girl (1958)
The Rise and Fall of a Jazz Girl (1958)
Overview
Minako, a runaway from Osaka chasing her dream of becoming a singer, struggles through poverty, failed jobs, and exploitation in Tokyo. With the help of a kind old vendor, a supportive reporter, and eventually singer Akira Takarada, she finally gets her chance to shine on stage.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Minako, a runaway from Osaka chasing her dream of becoming a singer, struggles through poverty, failed jobs, and exploitation in Tokyo. With the help of a kind old vendor, a supportive reporter, and eventually singer Akira Takarada, she finally gets her chance to shine on stage.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title suggests a character study focused on an individual's journey and decline. Without specific plot details, it's impossible to identify a clear ideological stance, indicating a likely focus on universal human themes rather than explicit political advocacy.
The movie, a Japanese production, features casting that aligns with its cultural context without explicit DEI-driven recasting of traditionally white roles. Its narrative does not appear to contain an explicit critique of traditional identities as defined by the evaluation criteria.
Secondary
The film "The Rise and Fall of a Jazz Girl" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on other aspects, resulting in no direct portrayal of queer identity or experiences within its story.
The film 'The Rise and Fall of a Jazz Girl' (1958) does not feature any transsexual characters or themes. Its narrative focuses on a jazz singer's life without engaging with transgender identity, resulting in no depiction relevant to the rubric.
The movie does not contain any action or adventure elements.
This 1958 film is an original production, not an adaptation of existing source material with pre-established characters or a biopic of a historical figure. Therefore, no characters exist whose canonical gender could have been swapped.
This 1958 film does not appear to be an adaptation of existing material or a biopic of a specific historical figure with a pre-established race. Therefore, no character's race could have been canonically or historically altered.
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