5.8
Viewer Rating
Combines user and critic ratings from four sources
The Robe (1953)
The Robe (1953)
Overview
Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Positive
Judaism: Negative
Viewer Rating
5.8
Overview
Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's dominant themes align with conservative values by championing individual moral and spiritual redemption through Christian faith as the solution to societal and personal decay, despite also critiquing state oppression.
This historical epic from 1953 features a cast that is overwhelmingly white, consistent with the casting norms of its time, and does not include any intentional race or gender swaps for established roles. The narrative centers on a traditional male protagonist's spiritual journey, without presenting a critical perspective on traditional identities or incorporating explicit themes related to diversity, equity, or inclusion.
Secondary
The film unequivocally portrays Christianity as a transformative and righteous faith. It champions the virtues of its adherents, depicting their courage and spiritual depth in the face of persecution, and aligns the narrative with the dignity and truth of the Christian message.
The film's narrative emphasizes the role of Jewish religious authorities and the crowd in the condemnation and crucifixion of Jesus. While some Jewish characters convert to Christianity, the depiction of Judaism as a distinct faith is largely framed by its rejection of Jesus, contributing to a problematic historical narrative.
The film "The Robe" is a biblical epic set in ancient Rome, focusing on the story of Marcellus Gallio and the early days of Christianity. It does not feature any identifiable LGBTQ+ characters or themes within its narrative.
The Robe, a 1953 biblical epic, centers on a Roman tribune's spiritual journey after the crucifixion of Jesus. Its narrative is entirely focused on historical and religious themes, containing no identifiable transsexual characters or related themes. Therefore, the film has no impact on the portrayal of transsexual individuals.
The movie does not contain any action or adventure elements.
The 1953 film "The Robe" adapts the novel of the same name, portraying all major characters, including historical figures, consistent with their established genders in the source material and historical record. No instances of gender swapping are present.
The film adapts a novel set in ancient Rome and Judea. All major characters, including Romans and Judeans, are portrayed by actors whose race aligns with historical context or the common portrayals of the era, without any character established as one race being depicted as a distinctly different race.
Viewer Rating Breakdown
User Ratings
6.7
6.8
Critic Ratings
3.8
N/A
More Like This
Traditional
6.9
Demetrius and the Gladiators
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Becket
(1964)
Political: Center
Diversity: Low
Traditional
7.1
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Leans Traditional
9.2
Schindler's List
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.1
Apollo 13
(1995)
Political: Center
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.8
Air
(2023)
Political: Leans Right
Diversity: Moderate
Traditional
8.2
Who's Afraid of Virginia Woolf?
(1966)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
8.0
The Ten Commandments
(1956)
Political: Strong Right
Diversity: Low
Leans Traditional
8.5
Amadeus
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Center
8.6
Intolerance: Love's Struggle Throughout the Ages
(1916)
Political: Center
Diversity: Low
Leans Traditional
7.7
The World's Fastest Indian
(2005)
Political: Leans Right
Diversity: Low
LGBTQ: Positive
Traditional
7.3
Seabiscuit
(2003)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Public Enemies
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.9
First Man
(2018)
Political: Center
Diversity: Low
Traditional
7.3
The Courier
(2020)
Political: Leans Right
Diversity: Low
Traditional
7.6
Sully
(2016)
Political: Leans Right
Diversity: Low
Traditional
7.1
The Creation - Greatest Adventure Stories from the Bible
(1988)
Political: Leans Right
Diversity: Low