8.0
Viewer Rating
Combines user and critic ratings from four sources
The Sea Hawk (1940)
The Sea Hawk (1940)
Overview
Dashing pirate Geoffrey Thorpe plunders Spanish ships for Queen Elizabeth I and falls in love with Dona Maria, a beautiful Spanish royal he captures.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Negative
Viewer Rating
8.0
Overview
Dashing pirate Geoffrey Thorpe plunders Spanish ships for Queen Elizabeth I and falls in love with Dona Maria, a beautiful Spanish royal he captures.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict revolves around national defense against an aggressive, tyrannical foreign power. Its solution champions patriotism, strong leadership, and decisive action to preserve national sovereignty and traditional values, aligning with right-leaning themes of national strength and order.
This 1940 adventure film features a cast that is primarily traditional, with no evident intentional race or gender swaps of established roles. The narrative maintains a neutral to positive portrayal of traditional identities, without incorporating explicit critiques or DEI themes.
Secondary
The film portrays the Catholic Spanish Empire as a tyrannical and oppressive force, with the Inquisition and King Philip II's religious zeal contributing to their villainy. While English Protestantism is implicitly linked to the heroes' fight for freedom, the narrative's primary engagement with religion is to condemn the abuses of power by a Christian institution.
The Sea Hawk is a classic adventure film from 1940, focusing on pirates, romance, and naval battles during the reign of Queen Elizabeth I. The narrative does not include any explicit or implicit LGBTQ+ characters or themes, aligning with typical Hollywood productions of its era.
The 1940 film "The Sea Hawk" does not feature any identifiable transsexual characters or themes. Its narrative is entirely focused on historical adventure, romance, and political intrigue in the 16th century, with no elements that could be interpreted as depicting or addressing transgender identity.
The film does not depict any female characters engaging in or winning direct physical combat against male opponents. Female roles are primarily supportive or romantic, not involving martial prowess or physical confrontation.
The 1940 film "The Sea Hawk" features an original story and characters, not directly adapting a prior work with established character genders. Queen Elizabeth I, a historical figure, is accurately portrayed. No characters meet the definition of a gender swap.
The 1940 film "The Sea Hawk" features original characters created for the movie, not directly adapting a source with pre-established racial identities or portraying historical figures whose race was altered. Therefore, no race swaps occurred.
Viewer Rating Breakdown
User Ratings
7.6
7.1
Critic Ratings
9.4
N/A
More Like This
Traditional
8.8
The Adventures of Robin Hood
(1938)
Political: Leans Right
Diversity: Low
Traditional
6.7
The Charge of the Light Brigade
(1936)
Political: Leans Right
Diversity: Low
Traditional
6.8
Adventures of Don Juan
(1948)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Cold Mountain
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.1
Tom Jones
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.8
Notorious
(1946)
Political: Center
Diversity: Low
Traditional
6.9
Francis of Assisi
(1961)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Deception
(1946)
Political: Center
Diversity: Low
Leans Traditional
7.3
Young Man with a Horn
(1950)
Political: Center
Diversity: Low
Traditional
7.0
White Christmas
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
The Princess Bride
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.0
Shakespeare in Love
(1998)
Political: Center
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Center
6.9
Around the World in Eighty Days
(1956)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Private Life of Sherlock Holmes
(1970)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.2
Ben-Hur: A Tale of the Christ
(1925)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
The African Queen
(1952)
Political: Center
Diversity: Low
Traditional
8.1
The Prisoner of Zenda
(1937)
Political: Leans Right
Diversity: Low
Traditional
7.9
The Iron Mask
(1929)
Political: Leans Right
Diversity: Low
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low