5.4
Viewer Rating
Combines user and critic ratings from four sources
The Shadow Lady (1904)
The Shadow Lady (1904)
Overview
"This view represents a grand transformation scene of several tableaux, the more interesting and the more surprising in the order of their presentation." -Star catalogue
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
5.4
Overview
"This view represents a grand transformation scene of several tableaux, the more interesting and the more surprising in the order of their presentation." -Star catalogue
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter of stage magic and cinematic illusion is inherently apolitical, and the narrative offers no discernible political or social commentary.
This early 20th-century silent film features traditional casting practices common for its era, with no discernible efforts towards diverse representation. The narrative focuses on spectacle and magic, without engaging in social commentary or critiquing traditional identities.
Secondary
Georges Méliès's 'The Shadow Lady' is an early silent trick film depicting a magical transformation. Its narrative focuses solely on special effects and a simple illusion, with no discernible characters or plot points related to LGBTQ+ identities or themes. Consequently, the film's portrayal of LGBTQ+ elements is N/A.
The Shadow Lady, a silent trick film from 1903, does not contain any identifiable transsexual characters or themes. Its narrative centers on a magician's interaction with a magical portrait, with no elements pertaining to gender identity.
The movie does not contain any action or adventure elements.
This 1904 film by Georges Méliès features original characters and a fantastical premise. There is no evidence of pre-existing source material or historical figures being adapted, thus no characters with a previously established gender were altered.
This 1904 silent film by Georges Méliès is an early work of cinema, predating established character canons or widespread adaptations. There are no known characters with pre-existing racial identities that could have been altered.
Viewer Rating Breakdown
User Ratings
5.4
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.0
The Invisible Siva
(1904)
Political: Center
Diversity: Low
Leans Traditional
7.2
The French Kissers
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.3
Bed and Board
(1970)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Triplets of Belleville
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.1
Amélie
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Red Balloon
(1956)
Political: Center
Diversity: Low
Leans Traditional
6.8
Welcome to the Sticks
(2008)
Political: Center
Diversity: Low
Leans Traditional
6.9
Ruby & Quentin
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Dinner Game
(1998)
Political: Center
Diversity: Low
Leans Traditional
6.9
Asterix and the Vikings
(2006)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Flea
(1904)
Political: Center
Diversity: Low
Leans Traditional
8.2
Cyrano de Bergerac
(1990)
Political: Center
Diversity: Low
Leans Traditional
8.0
Entr'acte
(1904)
Political: Center
Diversity: Low
Leans Traditional
7.5
Fear City: A Family-Style Comedy
(1994)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Artist
(2011)
Political: Center
Diversity: Low
Leans Traditional
6.7
Asterix: The Secret of the Magic Potion
(2018)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.2
Priceless
(2006)
Political: Center
Diversity: Low
Leans Traditional
7.4
Summer Things
(2002)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.6
The Valet
(2006)
Political: Center
Diversity: Low