MovieBias

See all results for ""
BrowseAnalyticsAbout

The Spy Who Loved Me (1977)

The Spy Who Loved Me poster

The Spy Who Loved Me (1977)

Overview

Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.


Starring Cast


Where to watch

Prime Video logoPrime Video
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating
6.9

Overview

Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.


Starring Cast


Where to watch

Prime Video logoPrime Video
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film is largely apolitical, focusing on a clear-cut global threat from a non-ideological villain, resolved through pragmatic international cooperation between rival superpowers and the actions of highly capable individual agents, thus balancing potential left-leaning themes of globalism with right-leaning themes of individual strength and state power.

The movie features a predominantly white and mainstream cast, consistent with traditional casting practices of its era, without intentional race or gender swaps of established roles. Its narrative maintains a neutral to positive framing of traditional identities, without explicit critique or central DEI themes.

Secondary

The Spy Who Loved Me, a 1977 James Bond film, does not include any explicit or implicitly identifiable LGBTQ+ characters or themes in its storyline. The narrative focuses on traditional espionage and heterosexual relationships typical of the era, resulting in no LGBTQ+ portrayal to evaluate.

The film "The Spy Who Loved Me" does not feature any transsexual characters or themes. Its plot focuses on espionage, international intrigue, and the actions of its cisgender protagonists and antagonists, with no elements pertaining to transgender identity.

The film features Major Anya Amasova, a capable agent who engages in espionage and uses firearms. However, there are no scenes where she or any other female character is shown to be victorious in close-quarters physical combat against one or more male opponents through skill, strength, or martial arts.

All major characters in "The Spy Who Loved Me" retain their established genders from prior James Bond canon or are new characters whose gender is established within this film, thus not constituting a gender swap.

All major and legacy characters in "The Spy Who Loved Me" are portrayed by actors whose race aligns with their established canonical or historical depictions from source material and prior installments. No character established as one race is depicted as a different race.


Viewer Rating Breakdown

6.9

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.0
The Movie Database logo
6.8

Critic Ratings

Rotten Tomatoes logo
8.2
Metacritic logo
5.5

More Like This

The Guns of Navarone poster
Traditional
7.8
The Guns of Navarone
 (1961)
Political: Leans Right
Diversity: Low
Goldfinger poster
Traditional
8.4
Goldfinger
 (1964)

Political: Leans Right
Diversity: Low
LGBTQ: Negative
Dr. No poster
Leans Traditional
7.9
Dr. No
 (1962)
Political: Leans Right
Diversity: Low
Plane poster
Leans Traditional
6.9
Plane
 (2023)
Political: Leans Right
Diversity: Moderate
Thunderball poster
Traditional
7.1
Thunderball
 (1965)
Political: Leans Right
Diversity: Low
Licence to Kill poster
Leans Traditional
6.7
Licence to Kill
 (1989)
Political: Leans Right
Diversity: Moderate
From Russia with Love poster
Traditional
8.1
From Russia with Love
 (1963)

Political: Center
Diversity: Low
LGBTQ: Negative
On Her Majesty's Secret Service poster
Leans Traditional
6.9
On Her Majesty's Secret Service
 (1969)
Political: Center
Diversity: Low
Touching the Void poster
Leans Traditional
8.3
Touching the Void
 (2003)
Political: Center
Diversity: Low
Kingsman: The Secret Service poster
Center
7.2
Kingsman: The Secret Service
 (2015)

Political: Leans Right
Diversity: Low
Female Combat: Yes
The Man from U.N.C.L.E. poster
Leans Traditional
6.7
The Man from U.N.C.L.E.
 (2015)
Political: Center
Diversity: Low
The Bank Job poster
Traditional
7.2
The Bank Job
 (2008)

Political: Center
Diversity: Low
LGBTQ: Negative
Monty Python and the Holy Grail poster
Leans Traditional
8.6
Monty Python and the Holy Grail
 (1975)
Political: Center
Diversity: Low
2001: A Space Odyssey poster
Leans Traditional
8.4
2001: A Space Odyssey
 (1968)
Political: Center
Diversity: Low
Labyrinth poster
Leans Traditional
6.8
Labyrinth
 (1986)
Political: Center
Diversity: Low
Swimming Pool poster
Leans Traditional
7.1
Swimming Pool
 (2003)

Political: Center
Diversity: Low
LGBTQ: Neutral
Harry Potter and the Philosopher's Stone poster
Leans Traditional
7.5
Harry Potter and the Philosopher's Stone
 (2001)
Political: Center
Diversity: Low
A Shaun the Sheep Movie: Farmageddon poster
Leans Traditional
7.8
A Shaun the Sheep Movie: Farmageddon
 (2019)
Political: Center
Diversity: Low
Hot Fuzz poster
Traditional
8.1
Hot Fuzz
 (2007)
Political: Leans Right
Diversity: Low
The Lodger: A Story of the London Fog poster
Leans Traditional
8.1
The Lodger: A Story of the London Fog
 (1927)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com