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Combines user and critic ratings from four sources
Comedy, Crime • 1965 • 111 min

A mild-mannered French shopkeeper stumbles into a cross-Europe smuggling run, completely oblivious to the contraband in his borrowed car. Director Gérard Oury's 1965 comedy pairs Bourvil and Louis de Funès in a slapstick caper built around honest-man-in-trouble innocence, a staple of mid-century French popular cinema. The Leans Traditional label follows naturally from what the film is and what it avoids. There are no political angles, no identity debates, and no ideological subtext. The humor rests on physical comedy, class contrast between the two leads, and the joke that decency keeps stumbling through chaos unharmed. For a 1965 Franco-Italian co-production, that is less a choice than a default, but the signal still reads Traditional by today's standards.
Bourvil • Louis de Funès • Venantino Venantini
A mild-mannered French shopkeeper stumbles into a cross-Europe smuggling run, completely oblivious to the contraband in his borrowed car. Director Gérard Oury's 1965 comedy pairs Bourvil and Louis de Funès in a slapstick caper built around honest-man-in-trouble innocence, a staple of mid-century French popular cinema. The Leans Traditional label follows naturally from what the film is and what it avoids. There are no political angles, no identity debates, and no ideological subtext. The humor rests on physical comedy, class contrast between the two leads, and the joke that decency keeps stumbling through chaos unharmed. For a 1965 Franco-Italian co-production, that is less a choice than a default, but the signal still reads Traditional by today's standards.
Bourvil • Louis de Funès • Venantino Venantini
The film is a classic comedic caper centered on an innocent man unwittingly caught in a criminal smuggling plot. Its focus is entirely on slapstick humor, character dynamics, and an entertaining chase across Europe, devoid of any discernible political or ideological messaging.
The film features a predominantly white, mainstream cast, consistent with French cinema of its era, without any intentional recasting of roles for diversity. The narrative maintains a neutral or positive portrayal of traditional identities and does not incorporate explicit DEI themes or critiques.
The film is a comedic road movie centered on a criminal caper, and its narrative does not feature significant portrayals of family structures, roles, or values.
The film "The Sucker" (1965) does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a comedic caper involving an unwitting smuggler and a gangster, with plot points centered around heterosexual relationships, slapstick humor, and the pursuit of diamonds. There are no elements within the story that depict or allude to queer identities or experiences.
The film 'The Sucker' (Le Corniaud) is a French comedy from 1965 centered on a man unwittingly transporting contraband across Italy. Its narrative focuses on slapstick, car chases, and comedic misunderstandings between the protagonists and various criminals. There are no identifiable transgender characters or themes present within the film's plot or character arcs.
The movie does not contain any action or adventure elements.
The Sucker (Le Corniaud) is an original 1965 French comedy film. Its characters were created for this specific production, meaning there is no prior source material, historical record, or previous adaptation from which character genders could have been established and subsequently swapped.
The film "The Sucker" is an original screenplay from 1965. Its characters were created for this specific film and are not based on prior source material, historical figures, or earlier adaptations. Therefore, there is no pre-established canonical race for any character to be swapped from.
Not depicted in the film.
Combines user and critic ratings from four sources























