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The Swan Princess: Kingdom of Music (2019)
Princess Odette is hosting a music competition to celebrate Princess Alise's birthday. Prince Li of Cathay has entered, but his sister Princess Mei Li has stowed away on his ship to seek help from Odette and Derek for Chen, who has been cursed to live as a dragon. Who will win the music festival and will Chen ever be free from his curse?
Princess Odette is hosting a music competition to celebrate Princess Alise's birthday. Prince Li of Cathay has entered, but his sister Princess Mei Li has stowed away on his ship to seek help from Odette and Derek for Chen, who has been cursed to live as a dragon. Who will win the music festival and will Chen ever be free from his curse?
The film's central conflict revolves around a magical villain threatening a kingdom's music festival, resolved through classic good-versus-evil tropes and the heroes' efforts to preserve cultural joy, placing it firmly in the realm of apolitical children's fantasy.
This animated film, part of a long-running franchise, maintains established character designs without explicit race or gender swaps of traditionally white roles. Its narrative focuses on adventure and character development, without explicitly critiquing traditional identities or making DEI themes central to the plot.
The Swan Princess: Kingdom of Music does not include any discernible LGBTQ+ characters or themes. The narrative focuses on traditional heterosexual relationships and fantasy adventures, with no elements that could be interpreted as queer representation. Therefore, the film has no net impact on the portrayal of LGBTQ+ identities.
The film 'The Swan Princess: Kingdom of Music' does not feature any identifiable transsexual characters or themes. Its narrative focuses on traditional animated musical fantasy elements, resulting in no depiction relevant to transsexual identity or experiences.
The movie does not contain any action or adventure elements.
No established characters from the 'Swan Princess' franchise or its source material have their gender changed in this installment. New characters introduced in the film do not constitute gender swaps.
This animated film is a sequel in an established franchise. No pre-existing characters from previous installments who were canonically or visually established as one race are portrayed as a different race in this film. New characters introduced do not constitute race swaps.
Combines user and critic ratings from four sources























