4.0
Viewer Rating
Combines user and critic ratings from four sources
The Tower of London (1905)
The Tower of London (1905)
Overview
Henry the Eighth, King of England, had six wives, and it is well known that he had several of them put to death, some by the axe, some by poison, and another by the rope. The following view is the reproduction of the death of Anne Boleyn in the Tower of London, the celebrated prison of state in the sixteenth century.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
4.0
Overview
Henry the Eighth, King of England, had six wives, and it is well known that he had several of them put to death, some by the axe, some by poison, and another by the rope. The following view is the reproduction of the death of Anne Boleyn in the Tower of London, the celebrated prison of state in the sixteenth century.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film, an early work by Georges Méliès, is primarily a historical recreation and visual spectacle, characteristic of the director's focus on theatricality and special effects rather than political commentary. Its subject matter lacks inherent modern political valence, leading to a neutral rating.
This early 20th-century film by Georges Méliès features traditional casting and narrative framing, consistent with the filmmaking practices of its era. It does not incorporate modern diversity, equity, or inclusion themes in its character representation or storyline.
Secondary
The film, a work from the early era of cinema by Georges Méliès, does not contain any discernible LGBTQ+ characters or themes. Its narrative and focus are entirely unrelated to queer identity or experiences, aligning with the typical content of films from that historical period.
The 1905 silent film 'The Tower of London' by Georges Méliès does not feature any identifiable transsexual characters or themes. As a short historical drama from the early 20th century, its narrative focuses on historical events and visual effects, with no indication of gender identity exploration.
The movie does not contain any action or adventure elements.
This 1905 silent film by Georges Méliès is a short, fantastical work, not a detailed adaptation or historical biopic with specific, named characters whose genders are established in prior canon or history and then altered.
This 1905 silent film by Georges Méliès is a short, fantastical piece. There is no evidence of specific, named characters with established canonical or historical races being portrayed by actors of a different race.
Viewer Rating Breakdown
User Ratings
4.0
N/A
Critic Ratings
N/A
N/A
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