4.3
Viewer Rating
Combines user and critic ratings from four sources
The Wedding Date (2005)
The Wedding Date (2005)
Overview
With the wedding of her younger sister fast approaching, Kat Ellis faces the undesirable prospect of traveling alone to London for the ceremony. While this is bad enough, Jeffrey, the man who left her as they moved closer to marriage, happens to be the groom's best man. Determined to show everyone -- most of all Jeffrey -- that her romantic life is as full and thrilling as ever, Kat hires a charming male escort as her date.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Low
LGBTQ: Positive
Viewer Rating
4.3
Overview
With the wedding of her younger sister fast approaching, Kat Ellis faces the undesirable prospect of traveling alone to London for the ceremony. While this is bad enough, Jeffrey, the man who left her as they moved closer to marriage, happens to be the groom's best man. Determined to show everyone -- most of all Jeffrey -- that her romantic life is as full and thrilling as ever, Kat hires a charming male escort as her date.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central focus on individual romantic relationships, family dynamics, and personal insecurities, culminating in a traditional romantic resolution, keeps its themes entirely apolitical.
The movie features a predominantly white cast in its main and significant supporting roles, reflecting a traditional approach to casting without explicit diversity initiatives. Its narrative focuses on romantic and family dynamics, offering no critical portrayal of traditional identities or explicit integration of DEI themes.
Secondary
The film features a prominent gay supporting character, Nick, who is depicted with dignity, complexity, and agency. His sexuality is presented respectfully, without being a source of mockery or negative stereotypes, contributing to an overall positive and validating portrayal of an LGBTQ+ individual.
The film "The Wedding Date" does not feature any identifiable transsexual characters or themes within its narrative. The romantic comedy focuses on a woman hiring an escort for her sister's wedding, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "The Wedding Date" is an adaptation of the novel "Asking for Trouble." A review of the main characters and their portrayals indicates that all significant characters retain the same gender as established in the source material. No instances of gender swapping were identified.
The film "The Wedding Date" is an adaptation of the novel "Asking for Trouble." All major characters in the film are portrayed by actors whose race aligns with their descriptions or common interpretations from the source material. No character established as one race in the novel is portrayed as a different race in the film.
Viewer Rating Breakdown
User Ratings
6.1
6.8
Critic Ratings
1.2
3.2
More Like This
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Leans Progressive
7.5
Scott Pilgrim vs. the World
(2010)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
8.3
The Princess Bride
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.3
Charade
(1963)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Center
7.3
10 Things I Hate About You
(1999)
Political: Leans Left
Diversity: Low
Leans Traditional
8.0
An American in Paris
(1951)
Political: Center
Diversity: Low
Leans Progressive
9.1
Modern Times
(1936)
Political: Strong Left
Diversity: Low
Progressive
7.7
Hairspray
(2007)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.1
Tom Jones
(1963)
Political: Center
Diversity: Low
Leans Progressive
9.7
Wall-E
(2008)
Political: Strong Left
Diversity: Moderate
Leans Traditional
7.0
Viva Las Vegas
(1964)
Political: Center
Diversity: Low
Traditional
7.8
About Schmidt
(2002)
Political: Center
Diversity: Low
LGBTQ: Negative
Progressive
6.6
Under the Boardwalk
(2023)
Political: Leans Left
Diversity: High
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.0
Shakespeare in Love
(1998)
Political: Center
Diversity: Low
Leans Traditional
8.6
It Happened One Night
(1934)
Political: Center
Diversity: Low
Traditional
8.3
Ninotchka
(1939)
Political: Strong Right
Diversity: Low
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive