Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
The Wild Olive (1915)
The Wild Olive (1915)
Overview
Nicknamed "Wild Olive," Miriam Strange discovers that her mom was an Indian, she moves to a hovel close to an Allegheny stumble camp. Norrie Passage, straight from school, visits his uncle, the tormenting manager of the camp, and meets Miriam. After his uncle is killed with a blade discovered covered up under Norrie's bedding, Norrie is condemned to pass on. In spite of the fact that he pledged to wed her, after his letters to "Wild Olive" return undelivered, Norrie, wearing a facial hair growth and an accepted name, gets connected with to Evie Wayne, Miriam's stepsister. At the point when Norrie is shipped off be his association's New York director, he meets Miriam once more. She forfeits her adoration and consents to wed attorney Charles Victory, in the event that he will demonstrate Norrie's blamelessness. After Evie finds out about Norrie's past and breaks the commitment, the killer makes a deathbed admission. Conquest discharges Miriam when he sees that she adores Norrie.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Nicknamed "Wild Olive," Miriam Strange discovers that her mom was an Indian, she moves to a hovel close to an Allegheny stumble camp. Norrie Passage, straight from school, visits his uncle, the tormenting manager of the camp, and meets Miriam. After his uncle is killed with a blade discovered covered up under Norrie's bedding, Norrie is condemned to pass on. In spite of the fact that he pledged to wed her, after his letters to "Wild Olive" return undelivered, Norrie, wearing a facial hair growth and an accepted name, gets connected with to Evie Wayne, Miriam's stepsister. At the point when Norrie is shipped off be his association's New York director, he meets Miriam once more. She forfeits her adoration and consents to wed attorney Charles Victory, in the event that he will demonstrate Norrie's blamelessness. After Evie finds out about Norrie's past and breaks the commitment, the killer makes a deathbed admission. Conquest discharges Miriam when he sees that she adores Norrie.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central narrative revolves around individual injustice and the eventual triumph of truth, focusing on personal struggle and redemption rather than a systemic critique. The resolution reinforces faith in the existing legal framework's ability to self-correct, leading to a neutral political bias.
This 1915 silent film features traditional casting and character representation, consistent with the cinematic norms of its era. The narrative does not present critical portrayals of traditional identities or incorporate explicit DEI themes, reflecting a neutral or positive framing of established societal roles.
Secondary
The 1915 silent film 'The Wild Olive' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a woman's flight from a murder accusation and her subsequent new life, with no elements suggesting queer representation.
The film 'The Wild Olive' (1915) is a silent drama centered on a woman's moral dilemma between duty and love. There is no evidence or historical record suggesting the presence of transsexual characters or themes within its plot or character arcs. Therefore, the film has no discernible impact on the portrayal of transsexual identity.
The movie does not contain any action or adventure elements.
The 1915 film is a direct adaptation of Basil King's 1910 novel of the same name. There is no indication that any established character's gender was changed from the source material in the film adaptation.
The film is an adaptation of a 1910 novel. There is no evidence that any character, canonically or historically established as one race in the source material, was portrayed as a different race in the 1915 film adaptation. The cast aligns with the implicit racial understanding of the novel's characters.
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