Viewer Rating
Combines user and critic ratings from four sources

They Call Him OG (2025)
After vanishing from Mumbai's underworld for a decade, mob boss Ojas Gambheera resurfaces—feared, unstoppable, and with a single goal: to reclaim his empire and exact vengeance on the current tyrant, Omi Bhau. As loyalties fracture and alliances shift, OG reignites a brutal criminal war, confronting both external threats and haunting buried betrayals.
After vanishing from Mumbai's underworld for a decade, mob boss Ojas Gambheera resurfaces—feared, unstoppable, and with a single goal: to reclaim his empire and exact vengeance on the current tyrant, Omi Bhau. As loyalties fracture and alliances shift, OG reignites a brutal criminal war, confronting both external threats and haunting buried betrayals.
The film receives a neutral rating because it consciously avoids explicit political messaging and ideological preaching, focusing instead on apolitical gangster drama themes of power, vengeance, and hero elevation, despite the lead actor's real-life political persona.
The movie features visible intra-national and cross-cultural diversity in its cast but does not engage in explicit DEI-driven casting as defined by the prompt. Its narrative reinforces traditional masculine roles within a gangster genre, without critiquing traditional identities or foregrounding social equity themes.
The film "They Call Him OG" (2025) does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on a mob boss and crime drama, with no noted emphasis or inclusion of LGBTQ+ representation based on the provided information.
Based on the available information, there is no depiction of transsexual characters or themes in 'They Call Him OG'. The provided movie details explicitly state a lack of content related to the transsexual community, making an evaluation of portrayal impossible.
Based on available information, the film focuses on male lead combat and gang conflicts. Female characters are primarily non-combatant or involved in victim/rescue scenarios. There is no mention of female characters defeating male opponents in direct physical combat.
The film features original characters and is not an adaptation of pre-existing material or historical figures. Therefore, no characters have a prior established gender from source material or history that could be swapped.
The film's casting maintains racial and phenotypical authenticity, with Indian actors portraying Indian characters and Japanese actors cast as Yakuza characters. No character established as one race in the source material is portrayed by an actor of a different race.
Combines user and critic ratings from four sources























