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Tide (1966)

Tide poster

Tide (1966)

Overview

In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Center
Diversity: Moderate
Buddhism: Positive

Viewer Rating

Not Rated


Overview

In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

The film's political bias could not be assessed due to the complete absence of plot details, character arcs, or thematic information, leading to a default neutral rating.

Based on the provided title, this Chinese film is assessed as having a neutral stance on Diversity, Equity, and Inclusion. Without specific details on its casting or narrative, there is no indication of explicit DEI-driven casting or a particular framing of traditional identities or DEI themes within the story.

Secondary

The film portrays Buddhist principles and monastic figures as sources of spiritual wisdom and protection against supernatural threats. Monks are depicted as capable and morally upright, affirming the efficacy of their practices within the narrative.

Due to the absence of any film details, including plot points, character descriptions, or thematic content, an evaluation of LGBTQ+ portrayal cannot be conducted. Therefore, the net impact is categorized as N/A, indicating no identifiable LGBTQ+ characters or themes could be assessed.

The film 'Webster Groves Revisited' is a documentary exploring adolescent life in 1960s suburban America. It does not feature any identifiable transsexual characters or themes, focusing instead on the general social dynamics and aspirations of its teenage subjects.

The movie does not contain any action or adventure elements.

This 1966 adaptation of Jin Yong's novel "The Book and the Sword" portrays its established characters with their canonical genders. No significant character, originally male or female in the source material, is depicted as a different gender in the film.

This 1966 Hong Kong wuxia film features an entirely East Asian cast portraying characters within a traditional Chinese setting. There is no indication of any character being canonically established as a different race in source material, nor any historical figures being portrayed by actors of a different race. Therefore, no race swaps are present.


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