Viewer Rating
Combines user and critic ratings from four sources

Tie Me Up! Tie Me Down! (1990)
After being released from a mental hospital, a troubled young man tracks down an actress he once had sex with and forces her into captivity, determined to make her part of his life.
After being released from a mental hospital, a troubled young man tracks down an actress he once had sex with and forces her into captivity, determined to make her part of his life.
The film's central conflict, revolving around an individual's extreme obsession and the development of an unconventional relationship, lacks a strong inherent political valence, focusing instead on personal psychology and moral ambiguity rather than advocating for a specific political ideology or systemic critique.
The movie features a traditional Spanish cast appropriate for its setting, without explicit DEI-driven casting choices. Its narrative explores a complex psychological relationship between its main characters, but it does not explicitly critique traditional identities or center on modern DEI themes.
The film includes a lesbian supporting character, Lola, whose identity is depicted respectfully and incidentally. Her relationship is shown without judgment, and she is portrayed as a caring, complex individual. While not central to the main plot, her presence contributes to a neutral, non-problematic representation of LGBTQ+ identity.
The film features Lola, a transsexual woman, as Marina's supportive sister. Her identity is presented with dignity and complexity, avoiding stereotypes or making it a source of ridicule or misery. The portrayal is respectful and contributes to a diverse cast without making her trans identity the central theme.
The movie does not contain any action or adventure elements.
This film features original characters created for the movie. There is no prior source material, historical record, or previous installment from which characters' canonical genders could be established and then altered.
This film is an original work and not an adaptation of existing source material or based on historical figures. Therefore, its characters do not have pre-established racial identities that could be subject to a race swap.
Combines user and critic ratings from four sources























