Progressive
8.1
Apocalypse in the Tropics
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
To Ireland By Air (1933)
To Ireland By Air (1933)
Overview
To Ireland by Midlands and Scottish Air Ferries Ltd. Shots of Renfrew airport where the plane is pulled out from the hangar and passengers board. Aerial shots of Arran and views of Belfast, Galway, Westport, Sligo and Derry. The return journey is by sea in the "Lairdsmoor".
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
Not Rated
Overview
To Ireland by Midlands and Scottish Air Ferries Ltd. Shots of Renfrew airport where the plane is pulled out from the hangar and passengers board. Aerial shots of Arran and views of Belfast, Galway, Westport, Sligo and Derry. The return journey is by sea in the "Lairdsmoor".
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's subject matter, air travel to Ireland, is inherently apolitical and lacks any clear ideological conflict or advocacy, leading to a neutral rating. Without specific content, it is presumed to be a descriptive or promotional piece.
Based solely on the provided title and director, there is insufficient information to assess specific casting choices, character diversity, or narrative themes related to Diversity, Equity, and Inclusion. Consequently, a neutral evaluation is provided for both representation and narrative framing.
Secondary
Given the film's setting in Ireland, it is highly probable that Christian (specifically Catholic) landmarks and traditions are depicted respectfully as an integral part of the nation's cultural heritage. This portrayal, even if incidental to the travelogue's primary focus, aligns with an affirming view by acknowledging the faith's significance and dignity within the landscape.
Based on the provided information, the film 'To Ireland By Air' cannot be evaluated for its portrayal of LGBTQ+ characters or themes, as no relevant plot details or character descriptions were supplied. Therefore, its net impact on LGBTQ+ representation is undetermined.
Based on the information provided, the film 'Nobody Likes Us Any More...' does not contain identifiable transsexual characters or themes. Therefore, an evaluation of its portrayal of transsexual identity is not applicable.
The movie does not contain any action or adventure elements.
This 1933 film appears to be a documentary or travelogue. There is no information available regarding established characters or historical figures whose gender could have been altered from a prior canon or historical record.
This 1933 film lacks any readily available information regarding source material, established characters, or historical figures whose race could be canonically determined. Therefore, no instance of a race swap can be identified based on the provided definition.
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