The film features eunuchs (khwaja saras/hijras) in functional roles within the courtesan culture. Their presence is essential to the setting, managing the kothas and training the dancers. The portrayal is largely neutral, depicting their identity as a given without strong positive validation or negative denigration, focusing instead on their societal function.

The film portrays the Islamic cultural milieu of 19th-century Lucknow with respect and aesthetic depth, showcasing its poetry, music, and social customs. While depicting the tragic life of a courtesan, the narrative does not critique Islam itself but rather the societal structures and individual fates within that rich cultural context, often aligning with the dignity and resilience of its characters. The film celebrates the artistic and intellectual traditions that flourished under Islamic patronage.