6.3
Viewer Rating
Combines user and critic ratings from four sources
Venice/Venice (1992)
Venice/Venice (1992)
Overview
Dean is a maverick American film director surprised that his most recent film has been chosen as the Official U.S. Entry at the Venice Film Festival. A beautiful French journalist arrives at the festival with the apparent intention of interviewing the unique and eccentric filmmaker. In the midst of all the festival madness, she is forced to confront the wide divergence between things as they really are and things as they seem to be - both on screen and off. And so, finally, are we. Shot half in Venice, Italy and half in Venice, California, "Venice/Venice" looks at the profound effect movies have had - and continue to have - on our lives, our loves and on our dreams of romance.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Judaism: Positive
Viewer Rating
6.3
Overview
Dean is a maverick American film director surprised that his most recent film has been chosen as the Official U.S. Entry at the Venice Film Festival. A beautiful French journalist arrives at the festival with the apparent intention of interviewing the unique and eccentric filmmaker. In the midst of all the festival madness, she is forced to confront the wide divergence between things as they really are and things as they seem to be - both on screen and off. And so, finally, are we. Shot half in Venice, Italy and half in Venice, California, "Venice/Venice" looks at the profound effect movies have had - and continue to have - on our lives, our loves and on our dreams of romance.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter revolves around a filmmaker's personal and artistic struggles, relationships, and self-discovery, which are inherently apolitical. The narrative consciously avoids engaging with broader societal or political issues, focusing instead on individual experience and the creative process.
The film features a predominantly traditional cast without explicit DEI-driven casting choices. Its narrative focuses on personal relationships and introspection, without explicitly critiquing traditional identities or centering DEI themes.
Secondary
The film portrays its Jewish characters with nuance and depth, exploring their identities, relationships, and anxieties with sympathy. While not explicitly focused on religious practice, the narrative treats their cultural and ethnic background with respect, aligning with the dignity of their experiences.
The film 'Venice/Venice' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Consequently, there is no portrayal to assess under the provided framework, resulting in a 'N/A' rating for LGBTQ+ depiction.
The film 'Venice/Venice' does not feature any identifiable transsexual characters or explore transgender themes within its narrative. The story primarily focuses on a director's experiences at a film festival and a romantic relationship, with no elements related to transsexual identity.
The movie does not contain any action or adventure elements.
Venice/Venice (1992) is an original film with characters created specifically for this production. There are no pre-existing source materials, historical figures, or legacy characters from prior installments whose gender could have been altered.
Venice/Venice (1992) is an original film with no pre-existing source material or historical figures. Therefore, its characters do not have a canonically established race prior to this film, making a race swap impossible by definition.
Viewer Rating Breakdown
User Ratings
6.2
6.5
Critic Ratings
N/A
N/A
More Like This
Center
7.4
20,000 Leagues Under the Sea
(1916)
Political: Center
Diversity: Low
Leans Traditional
7.2
McFarland, USA
(2015)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Magic Mike
(2012)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Fabelmans
(2022)
Political: Center
Diversity: Low
Leans Traditional
7.5
Arthur Christmas
(2011)
Political: Center
Diversity: Low
Traditional
7.1
Neethiyin Marupakkam
(1985)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
King Richard
(2021)
Political: Leans Right
Diversity: Moderate
Traditional
6.5
The Journey
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Desire Under the Elms
(1958)
Political: Center
Diversity: Low
Traditional
7.7
Old Henry
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
The Impossible
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.5
Sylvia Scarlett
(1935)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.2
The Third Woman
(1920)
Political: Center
Diversity: Low
Leans Traditional
7.6
End of Watch
(2012)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.1
Cyrano
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.9
Warrior
(2011)
Political: Center
Diversity: Low
Leans Traditional
8.1
Five Graves to Cairo
(1943)
Political: Center
Diversity: Low
Leans Traditional
8.3
Argo
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
The Way
(2010)
Political: Center
Diversity: Low
Leans Traditional
7.6
F1
(2025)
Political: Leans Right
Diversity: Moderate