Leans Traditional
8.1
Encounters at the End of the World
(2007)
Political: Center
Diversity: Low
Victorian house (1976)
Victorian house (1976)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's subject, 'Negret un oficio' (Negret, a trade/craft), inherently lacks a strong political valence. Without specific plot details or thematic evidence, it is impossible to discern any explicit promotion of progressive or conservative ideologies, leading to a neutral rating.
This documentary focuses on the life and artistic contributions of Edgar Negret, a specific historical figure. The film's representation reflects the subject's identity and historical context, and its narrative primarily celebrates his work without explicitly engaging with or critiquing traditional identities or centering DEI themes.
Secondary
A comprehensive evaluation of 'Negret un oficio' regarding its LGBTQ+ portrayal cannot be performed due to the AI's inability to access specific film content. No assessment of presence or depiction is possible.
No information about the film 'Mill on the Edge of the Wood' was provided, making it impossible to evaluate the presence or portrayal of transsexual characters or themes. Therefore, no assessment of net impact can be made.
The movie does not contain any action or adventure elements.
The film is a documentary about the male Colombian sculptor Edgar Negret. There is no indication that any historical figures, including Negret himself, are portrayed with a different gender than established in real-world history.
The film 'Negret un oficio' is a biographical work about the Colombian sculptor Edgar Negret, a real historical figure who was white. There is no evidence or widely known information suggesting that Edgar Negret or any other historically established character is portrayed by an actor of a different race in this 1976 film.
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