MovieBias

See all results for ""
BrowseAnalyticsAbout

We Were Dangerous (2024)

We Were Dangerous poster

We Were Dangerous (2024)

Overview

Nellie, Daisy and Lou attend an institution for delinquent girls on an isolated island in 1954. The trio rail against the system, finding strength in their friendship but this is challenged when the school's matron divides them.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Progressive

Political: Strong Left
Diversity: High
LGBTQ: Positive
Trans: Positive
Christianity: Negative

Viewer Rating
5.9

Overview

Nellie, Daisy and Lou attend an institution for delinquent girls on an isolated island in 1954. The trio rail against the system, finding strength in their friendship but this is challenged when the school's matron divides them.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Progressive

Primary

The film's central thesis explicitly promotes progressive ideology by critiquing colonialism, patriarchy, and institutional abuse, emphasizing systemic oppression and the importance of collective resistance and empowerment among marginalized communities.

The movie features a cast intentionally chosen to represent diverse racial and socioeconomic backgrounds, with a particular focus on authentic Māori representation. Its narrative critically examines systemic inequities, portraying how traditional power structures and societal norms lead to differential treatment based on race, class, and sexuality, making these DEI issues central to its story.

Secondary

The film portrays LGBTQ+ themes through Lou, a queer character facing institutional oppression for her sexuality. While acknowledging societal challenges, the narrative centers on the powerful acceptance and solidarity Lou finds among her friends, affirming queer identity and highlighting the importance of chosen family and resilience against discrimination.

The 2024 film *We Were Dangerous* features Lou, a transsexual protagonist, whose portrayal is notably affirming. Despite a period setting and initial societal labeling, Lou is depicted with dignity, agency, and is fully accepted by her friends. The narrative emphasizes authenticity and inclusion, focusing on her journey and relationships within a supportive peer group, rather than on marginalization or prejudice. The film's overall impact is positive, normalizing trans identity.

The film portrays institutional Christianity as a tool for colonial control, assimilation, and abuse of Indigenous girls. It critiques how religious doctrine was weaponized to justify oppression and systemic cruelty, without offering significant counterbalancing positive portrayals of the faith.

The movie does not contain any action or adventure elements.

The film's characters are original or based on historical themes, not specific individuals with established genders. The female protagonists are consistently portrayed as female, with no indication of any character's gender differing from source material or historical record.

The film's casting aligns with the established ethnic and phenotypical identities of its characters and the historical context of 1950s New Zealand. All major characters are portrayed by actors matching their described race, with a deliberate effort to maintain authenticity.


Viewer Rating Breakdown

5.9

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.5
The Movie Database logo
7.3

Critic Ratings

Rotten Tomatoes logo
9.7
Metacritic logo
N/A

More Like This

Whale Rider poster
Progressive
7.9
Whale Rider
 (2003)
Political: Leans Left
Diversity: High
Once Were Warriors poster
Leans Progressive
8.1
Once Were Warriors
 (1994)
Political: Leans Left
Diversity: Moderate
Killers of the Flower Moon poster
Progressive
8.3
Killers of the Flower Moon
 (2023)
Political: Strong Left
Diversity: High
Wicked poster
Progressive
7.6
Wicked
 (2024)

Political: Strong Left
Diversity: High
LGBTQ: Positive
Searching poster
Leans Progressive
7.9
Searching
 (2018)
Political: Center
Diversity: High
Blinded by the Light poster
Progressive
7.5
Blinded by the Light
 (2019)
Political: Leans Left
Diversity: High
Run poster
Leans Progressive
7.4
Run
 (2020)
Political: Center
Diversity: High
Burning poster
Leans Progressive
8.3
Burning
 (2018)
Political: Leans Left
Diversity: Moderate
Exhibiting Forgiveness poster
Progressive
7.9
Exhibiting Forgiveness
 (2024)
Political: Leans Left
Diversity: High
The Big Short poster
Leans Progressive
8.0
The Big Short
 (2015)
Political: Strong Left
Diversity: Low
Hindi Medium poster
Leans Progressive
7.8
Hindi Medium
 (2017)
Political: Leans Left
Diversity: Moderate
In the Heights poster
Leans Progressive
8.0
In the Heights
 (2021)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
The Last Rodeo poster
Leans Progressive
6.8
The Last Rodeo
 (2025)
Political: Leans Left
Diversity: Moderate
The Boy and the Heron poster
Leans Progressive
8.4
The Boy and the Heron
 (2023)
Political: Strong Left
Diversity: Moderate
Hustlers poster
Progressive
7.4
Hustlers
 (2019)

Political: Strong Left
Diversity: High
LGBTQ: Positive
Triangle of Sadness poster
Progressive
6.9
Triangle of Sadness
 (2022)
Political: Strong Left
Diversity: High
The Lost Bus poster
Leans Progressive
7.3
The Lost Bus
 (2025)
Political: Leans Left
Diversity: Moderate
Soul poster
Leans Progressive
8.5
Soul
 (2020)
Political: Center
Diversity: High
Vidhi: The Revolution poster
Leans Progressive
8.0
Vidhi: The Revolution
 (2023)
Political: Strong Left
Diversity: Moderate
Pope Joan poster
Leans Progressive
6.8
Pope Joan
 (2009)
Political: Leans Left
Diversity: Moderate
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com