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White Poison (1929)

White Poison poster

White Poison (1929)

Overview

This story revolves around the use of narcotic drugs and their harmful effects. Extraordinary luxury, artistic nudes and lascivious dances (Cinemateca Brasileira)


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Moderate

Viewer Rating

Not Rated


Overview

This story revolves around the use of narcotic drugs and their harmful effects. Extraordinary luxury, artistic nudes and lascivious dances (Cinemateca Brasileira)


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's title, "Kehre wieder, Afrika!", strongly suggests a central thesis promoting anti-colonialism and African self-determination, explicitly aligning with progressive ideology.

The film likely features a diverse cast appropriate for its African setting and themes. Its narrative may offer a subtle or indirect critique of traditional identities, but it does not appear to explicitly portray them negatively or center a strong DEI critique.

Secondary

This 1929 silent film does not have any documented LGBTQ+ characters or themes. Based on available plot summaries and historical context, there is no evidence to suggest any portrayal of queer identity within the narrative, leading to an N/A rating.

Due to the absence of any plot details or character information for the film 'White Poison', an evaluation of its portrayal of transsexual characters and themes cannot be conducted. Therefore, the net impact is deemed N/A, as no identifiable transgender content was available for analysis.

The movie does not contain any action or adventure elements.

This 1929 film is a documentary-style travelogue by director Ernö Metzner about his journey to Africa. It does not feature fictional characters or adaptations of pre-existing works with established genders, nor does it portray specific historical figures in a way that would allow for a gender swap.

This 1929 film is a documentary/ethnographic work depicting the Herero people in German South West Africa. It does not feature fictional characters with pre-established races from source material or historical figures whose race was altered. Therefore, no race swap occurred.


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