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Woman to Woman (1947)
A Canadian officer, David Anson, who falls for French dancer Nicolette Bonnett during wartime, has a child with her, and returns heartbroken after her death from a weak heart, only for his wife to adopt the son, linking their lives across continents and tragedy, exploring themes of love, duty, and lost time.
A Canadian officer, David Anson, who falls for French dancer Nicolette Bonnett during wartime, has a child with her, and returns heartbroken after her death from a weak heart, only for his wife to adopt the son, linking their lives across continents and tragedy, exploring themes of love, duty, and lost time.
The film's narrative, which depicts the tragic consequences of an extramarital affair, subtly reinforces traditional moral values and the sanctity of marriage, aligning with right-leaning social conservatism.
This 1923 British drama exhibits traditional casting and character representation, consistent with the societal norms of its era. The narrative does not include any critical portrayal of traditional identities or incorporate explicit DEI themes, reflecting the common cinematic approaches of the early 20th century.
Based on the information provided, the film 'Woman to Woman' does not feature identifiable LGBTQ+ characters or themes. Consequently, an evaluation of its portrayal of queer identity could not be conducted, resulting in an N/A rating for its net impact.
This film does not feature any identifiable transsexual characters or themes within its narrative. Therefore, an evaluation of its portrayal of transsexual identity is not applicable based on the provided rubric.
The movie does not contain any action or adventure elements.
The 1947 film "Woman to Woman" is a remake of a 1923 film and a play. Analysis of the main characters across these versions reveals no instances where a character's established gender was changed in the 1947 adaptation.
The 1947 film "Woman to Woman" is a remake of a 1923 film, both based on a play. Analysis of the main characters and their portrayals across these versions reveals no instances where a character canonically established as one race was depicted as a different race.
Combines user and critic ratings from four sources























