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Documentary • 2026 • 174 min • Adults (18+)

You Can See Everything follows Elizabeth Holmes in the days leading up to her prison sentence, blending documentary footage and surreal sequences that question truth and perception. The film leans traditional by maintaining a composed, analytical perspective on its subjects without veering into overt ideological commentary or character vilification. It focuses on the complexities of identity and personal responsibility while avoiding strong social or progressive framing, keeping the audience in a state of thoughtful ambiguity.
Billy Evans • Nathan Fielder • Elizabeth Holmes
You Can See Everything follows Elizabeth Holmes in the days leading up to her prison sentence, blending documentary footage and surreal sequences that question truth and perception. The film leans traditional by maintaining a composed, analytical perspective on its subjects without veering into overt ideological commentary or character vilification. It focuses on the complexities of identity and personal responsibility while avoiding strong social or progressive framing, keeping the audience in a state of thoughtful ambiguity.
Billy Evans • Nathan Fielder • Elizabeth Holmes
The film examines the Elizabeth Holmes story through a meta-documentary lens that questions how truth is constructed by both subjects and filmmakers, leaving interpretations of fraud, victimhood, and responsibility deliberately unresolved.
You Can See Everything centers on convicted Theranos founder Elizabeth Holmes during her final weeks before prison, blending documentary footage of her family life with inventive elements that probe perception and reality. The film maintains a neutral focus on Holmes's personal presentation and the uncertainty surrounding her actions without advancing any identity-based critiques.
The documentary captures Elizabeth Holmes's household with partner Billy Evans and their children, centering on the couple's domestic interactions and an uneasy relationship dynamic. A single scene depicts Evans intervening in a household task in a manner portrayed as overbearing, offering the only concrete glimpse into home life.
The film frames religious faith as a form of truth impervious to reason, placing it alongside conspiracy theories and cult thinking while contrasting it unfavorably with traditional Christian exaltation in cinema.
You Can See Everything contains no LGBTQ+ characters or themes. Its narrative focuses on other subjects without addressing queer identity or related ideas.
You Can See Everything features no transgender characters or themes. Its narrative explores deception, identity, and truth through a documentary lens centered on its principal figures.
The movie does not contain any action or adventure elements.
The documentary centers on real-life figures Elizabeth Holmes, Billy Evans, and Nathan Fielder, presenting them with genders that match their established historical identities.
This documentary centers on real people appearing as themselves with no recasting of characters from prior fictional or historical source material.
Not depicted.
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