Viewer Rating
Combines user and critic ratings from four sources

Young and Dangerous 3 (1996)
This time taking on the rival Tung Sing triad, who is attempting to usurp Hung Hing influence in Hong Kong by having Tung Sing member Crow frame Ho Nam for the murder of Hung Hing Chairman Chiang Tin Sang. On the plus side, Chicken finds a new love interest in Wasabi, the daughter of the comedic priest, Father Lethal Weapon Lam.
This time taking on the rival Tung Sing triad, who is attempting to usurp Hung Hing influence in Hong Kong by having Tung Sing member Crow frame Ho Nam for the murder of Hung Hing Chairman Chiang Tin Sang. On the plus side, Chicken finds a new love interest in Wasabi, the daughter of the comedic priest, Father Lethal Weapon Lam.
The film primarily focuses on the internal dynamics, power struggles, and codes of loyalty within a criminal organization, rather than promoting or critiquing broader political ideologies, leading to a neutral rating.
The film's casting reflects its Hong Kong setting, featuring an East Asian ensemble without engaging in explicit DEI-driven casting or reinterpreting roles typically associated with other demographics. The narrative centers on traditional male-dominated themes, presenting these identities without critique.
The film "Young and Dangerous 3" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on triad gang conflicts and loyalty, without incorporating elements related to queer identity or experiences.
The film 'Young and Dangerous 3' does not feature any identifiable transsexual characters or explore transgender themes within its storyline. The narrative focuses on triad conflicts and relationships without engaging with these specific identity aspects.
The film does not depict any female characters engaging in or winning close-quarters physical combat against one or more male opponents. Female characters are present but do not participate in direct physical fights.
Young and Dangerous 3 continues the narrative from previous installments, featuring the same established characters. There are no instances where a character, previously established as one gender in the source comics or prior films, is portrayed as a different gender in this movie.
The film is a sequel in a Hong Kong series based on a local comic. All major characters, established as East Asian in the source material and prior films, are consistently portrayed by East Asian actors in this installment.
Combines user and critic ratings from four sources























