Center
8.3
The Killer
(1989)
Political: Center
Diversity: Moderate
You Do Me Wrong (1966)
You Do Me Wrong (1966)
Overview
Ting Cheuk-ting (Lee Hang), the accountant of a trading company, tries to borrow money from his employer, but in vain. The following day, the company finds that $30,000 has been stolen, and the missing money is recovered at Ting’s home. Ting’s daughter, Suk-wai (Connie Chan), takes the fall for her father. She admits to the theft and is given a one-year bind-over order, which infuriates Ting to the point of death. Suk-wai has to carry the burden of providing for her family, but constantly runs into walls due to her criminal record. She eventually disguises herself as a man to work as a typist at her father’s old trading company. The boss’s daughter, Mona Lui (Helena Law Lan), exposes her and calls the police upon discovering her secret. Suk-wai is left unable to defend herself.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Ting Cheuk-ting (Lee Hang), the accountant of a trading company, tries to borrow money from his employer, but in vain. The following day, the company finds that $30,000 has been stolen, and the missing money is recovered at Ting’s home. Ting’s daughter, Suk-wai (Connie Chan), takes the fall for her father. She admits to the theft and is given a one-year bind-over order, which infuriates Ting to the point of death. Suk-wai has to carry the burden of providing for her family, but constantly runs into walls due to her criminal record. She eventually disguises herself as a man to work as a typist at her father’s old trading company. The boss’s daughter, Mona Lui (Helena Law Lan), exposes her and calls the police upon discovering her secret. Suk-wai is left unable to defend herself.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
This film is rated 0 because it adopts an observational, non-judgmental approach to documenting a counter-culture figure, focusing on themes of celebrity, identity, and artistic expression rather than promoting a specific political ideology or solution.
Andy Warhol's experimental film, featuring figures like Nico and Antoine, primarily showcases a diverse array of unique personalities from his artistic circle. The film's observational style does not engage in explicit race or gender swaps of traditional roles, nor does it offer a critical narrative framing of traditional identities or explicit DEI themes.
Secondary
Based on the provided information, the film does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no direct portrayal or impact on queer representation to evaluate within the narrative.
Due to the complete lack of available information regarding the film's plot or characters, it is not possible to evaluate its portrayal of transsexual individuals or themes. No depiction can be identified.
The movie does not contain any action or adventure elements.
The film "Nico / Antoine" is an experimental work featuring the artists Nico and Antoine. It is not an adaptation of pre-existing material with established characters whose genders are altered. The on-screen portrayals align with the known genders of the individuals or characters presented.
The film features real-life figures Nico (a German singer) and Antoine Bourseiller (a French actor). Both were white and are portrayed by themselves, with no change in their racial depiction from their historical or canonical identities.
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