6.4
Viewer Rating
Combines user and critic ratings from four sources
Ziegfeld Follies (1945)
Ziegfeld Follies (1945)
Overview
The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.4
Overview
The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Ziegfeld Follies is a musical revue composed of unrelated song, dance, and comedy sketches, which inherently lacks a central narrative or political agenda. Its sole purpose is entertainment, making it an apolitical film.
This 1945 musical revue features primarily traditional casting for its era, with no explicit race or gender swaps of traditionally white roles. The narrative, being a series of sketches and musical numbers, does not offer critical portrayals of traditional identities or explicitly center DEI themes.
Secondary
Ziegfeld Follies, a 1946 musical revue, does not feature any discernible LGBTQ+ characters or themes. The film's structure as a series of lavish, unconnected performances and its production era under the Hays Code meant such depictions were absent from mainstream cinema.
The film Ziegfeld Follies, a musical revue from 1945, does not feature any identifiable transsexual characters or themes. Therefore, there is no specific portrayal to evaluate under the provided rubric.
The movie does not contain any action or adventure elements.
Ziegfeld Follies is a musical revue film featuring various acts and stars, not an adaptation of a narrative with pre-established characters. Therefore, there are no legacy or canonical characters whose gender could be swapped.
Ziegfeld Follies (1945) is a musical revue film featuring various stars in unrelated sketches and musical numbers. It does not adapt specific narrative source material with pre-established characters whose race is canonical, nor does it portray historical figures in a biographical context where their race would be a fixed attribute. Therefore, no instances of race swapping are present.
Viewer Rating Breakdown
User Ratings
6.4
6.0
Critic Ratings
6.9
N/A
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