Leans Traditional
8.2
Touching the Void
(2003)
Political: Center
Diversity: Low
Workers Leaving the Jute Works, Barrow (1902)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Short documentary subject produced by Mitchell & Kenyon. A print survives at the BFI.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Short documentary subject produced by Mitchell & Kenyon. A print survives at the BFI.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film depicts a simple, observational scene of people cycling in a garden, lacking any discernible narrative, conflict, or thematic elements that could be interpreted through a political lens. Its subject matter is entirely apolitical, leading to a neutral rating.
This early observational film, depicting cyclists in a garden, features incidental casting typical of its era, without any intentional diversity initiatives. The narrative is purely descriptive, lacking any thematic elements that critique traditional identities or explicitly engage with diversity, equity, and inclusion themes.
Secondary
Without any provided plot or character information for 'Cyclistes dans le jardin de la villa Lavanchy-Clarke', it is impossible to evaluate the presence or portrayal of LGBTQ+ characters and themes. Therefore, the net impact is rated as N/A.
Given the film's title and the absence of any plot details or character descriptions, there is no evidence to suggest the presence of transsexual characters or themes. Therefore, the film's portrayal of such elements is considered not applicable.
The movie does not contain any action or adventure elements.
This 1902 film is an early actualité or documentary-style piece depicting cyclists. There is no evidence of pre-existing source material, historical figures, or legacy characters with established genders that could be subject to a gender swap.
This 1902 film is a very early, short piece likely depicting real people or simple, unnamed characters without any established source material, historical figures, or prior canon. Therefore, the concept of a 'race swap' does not apply.
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