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Nankin Road, Shanghai (1901)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

Nankin Road, Shanghai poster

Overview

This is an extraordinary window on to the heart of cosmopolitan Shanghai, over a hundred years ago, featuring a Nanjing Road bustling with crowds of Chinese, Sikhs and Europeans. It is the only known surviving example of the film reportage shot by British war correspondent Joe Rosenthal during his coverage of the Boxer Rebellion in China between 1900 and 1901.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview

This is an extraordinary window on to the heart of cosmopolitan Shanghai, over a hundred years ago, featuring a Nanjing Road bustling with crowds of Chinese, Sikhs and Europeans. It is the only known surviving example of the film reportage shot by British war correspondent Joe Rosenthal during his coverage of the Boxer Rebellion in China between 1900 and 1901.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's central subject matter is a rugby match, which is inherently apolitical and lacks any discernible political narrative or ideological framing, resulting in a neutral rating.

Based on the title and historical context, this film is presumed to depict a traditional sporting event. Its casting would likely reflect the demographics of the era, primarily featuring white males, without intentional DEI-driven casting. The narrative is expected to focus on the event itself, without critiquing traditional identities or incorporating explicit DEI themes.

Secondary

This film, focusing entirely on a rugby football match, does not feature any identifiable LGBTQ+ characters or themes. Its narrative scope is limited to the sports event, offering no opportunities for such portrayals, thus rendering the evaluation N/A.

The film, an early 20th-century silent comedy, does not feature any identifiable transsexual characters or themes. Historical records and plot summaries offer no indication of transgender representation or related narratives within its brief runtime.

The movie does not contain any action or adventure elements.

This 1901 film is a direct recording of a real rugby match. It does not feature fictional characters with pre-established canonical genders from source material, nor does it portray historical figures with altered genders. Therefore, no gender swaps occur.

This 1901 film is a documentary-style recording of a real rugby match. It does not feature fictional characters with established canonical races or re-cast historical figures from prior depictions, thus the concept of a race swap is not applicable.


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