Center
6.8
Bodies at Rest
(2019)
Political: Center
Diversity: Moderate
Female Combat: Yes
Miraculous Detectives Father and Son: Lost in a Rainy Night (2013)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Positive
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The political bias of the movie cannot be objectively evaluated as no plot details, character arcs, or thematic content were provided. A rating of 0 is assigned due to the complete absence of any information to suggest a bias.
Based on the available information, the movie does not explicitly feature DEI-driven casting or narrative themes. It maintains a neutral stance regarding representation and the framing of traditional identities, suggesting a light presence of DEI.
Secondary
The film portrays Father Michael's Christian faith as a source of profound empathy and moral guidance, which is crucial in solving the mystery. While acknowledging human fallibility, the narrative ultimately affirms the compassionate virtues of his beliefs.
Without specific plot details or character information for "Miraculous Detectives Father and Son: Lost in a Rainy Night," it's impossible to evaluate its portrayal of LGBTQ+ characters or themes. Therefore, the film is rated N/A for no identifiable depiction.
No information was provided in the prompt to assess the film's portrayal of transsexual characters or themes. Therefore, an evaluation of its net impact on transgender representation could not be made.
The movie does not contain any action or adventure elements.
This animated film is based on the 'Old Master Q' comic series. All major characters, including Old Master Q and Big Potato, retain their established genders from the source material. There are no instances of a character canonically established as one gender being portrayed as a different gender.
This Chinese animated film is an adaptation of the Chinese comic book series "San Mao." The characters, including San Mao and his father, are consistently depicted as Chinese in both the original source material and the film, with no changes in their established race.
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