Center
7.2
Pee Mak
(2013)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
The Graveyard (1981)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
When a ghost falls in love with a person... problems arise between them. When ghosts and people have to compete for love... it's very strange!
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Buddhism: Positive
Overview
When a ghost falls in love with a person... problems arise between them. When ghosts and people have to compete for love... it's very strange!
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's content, plot, and specific themes were not provided for analysis, preventing any objective assessment of political bias. Consequently, a neutral rating is assigned due to the absence of discernible ideological leanings in the unknown narrative.
Due to the absence of specific movie details, this evaluation assumes a neutral stance regarding both character representation and narrative framing. This approach results in a classification indicating the presence of light DEI characteristics, as no explicit information was available to suggest otherwise.
Secondary
The film portrays Buddhist monks and rituals as a respected and legitimate means of addressing supernatural phenomena, affirming the spiritual framework they represent within the narrative's world.
Information regarding a film titled 'The Graveyard' directed by Suriyon Duangthongdee is not publicly available. Consequently, an evaluation of its portrayal of LGBTQ+ characters and themes cannot be conducted, resulting in an N/A rating.
The film "Space: 2000" by Oliver Krekel does not feature any identifiable transsexual characters or themes. Therefore, there is no portrayal to evaluate regarding trans identity within the narrative.
The movie does not contain any action or adventure elements.
There is no readily available information indicating that 'The Graveyard' (1981) is an adaptation of existing source material or features characters with previously established genders. Without prior canon, no character can be identified as a gender swap.
The 1981 Thai film "The Graveyard" by Suriyon Duangthongdee is not an adaptation of a known source material with pre-established character races, nor is it a biopic or a reboot. Its characters are considered original to this production, thus precluding a race swap.
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