MovieBias
See all results for ""
BrowseAnalyticsAbout

On the Eve (1985)

Bias Rating
Analyzing...
Leans Progressive
Viewer Rating

Not Rated

On the Eve poster

Overview

Elena Nikolaevna Stakhova, a girl from a noble family, is full of lofty ideals. Seeking “active good” and heroism and not finding the use of her powers in her environment, she falls in love with the Bulgarian student Insarov, a poor commoner democrat. Elena completely devotes herself to her chosen one and follows him along his difficult path. After the wedding, the young people decide to leave for Bulgaria, where the struggle for freedom has been going on for 400 years. But, never having reached his homeland, Insarov dies...


Starring Cast

Bias Dimensions

Political: Strong Left
Diversity: Low
Christianity: Positive
Islam: Negative

Overview

Elena Nikolaevna Stakhova, a girl from a noble family, is full of lofty ideals. Seeking “active good” and heroism and not finding the use of her powers in her environment, she falls in love with the Bulgarian student Insarov, a poor commoner democrat. Elena completely devotes herself to her chosen one and follows him along his difficult path. After the wedding, the young people decide to leave for Bulgaria, where the struggle for freedom has been going on for 400 years. But, never having reached his homeland, Insarov dies...


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film explicitly champions revolutionary struggle for national liberation and self-determination against an oppressive empire, and critiques the inaction of the intellectual elite, firmly aligning its central thesis with progressive ideology.

Based on its context as a 1966 Soviet adaptation of a 19th-century Russian novel, 'On the Eve' is assessed as having traditional casting that aligns with the source material and historical period. The narrative is not expected to feature critical portrayals of traditional identities or explicit DEI themes, instead framing them neutrally or positively within its cultural context.

Secondary

The film portrays Orthodox Christianity as an integral part of the cultural and national identity of the Russian and Bulgarian characters, particularly in their struggle against foreign oppression. It aligns the faith with the dignity and aspirations of the oppressed people.

Islam is implicitly associated with the oppressive Ottoman Empire, which is depicted as the antagonist force subjugating the Christian Bulgarians. The film portrays the actions of the Muslim-led regime as cruel and problematic, offering no significant counterbalancing positive portrayal.

Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in 'On the Eve'. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.

No information regarding transsexual characters or themes was provided for 'The Feat of Odesa (movie, 1985)'. Consequently, an evaluation of its portrayal of such elements is not possible.

The movie does not contain any action or adventure elements.

The 1985 film "On the Eve" is an adaptation of Ivan Turgenev's novel. All major characters, including Elena Stakhova and Dmitry Insarov, retain their established genders from the original literary source. No instances of gender swapping were identified.

The 1985 film "On the Eve" adapts Ivan Turgenev's 1860 novel. The characters in the source material are Russian and Bulgarian, historically depicted as white. The film's casting aligns with these established racial portrayals, with no instances of a character being depicted as a different race than originally established.


More Like This

Holes poster
Progressive
7.2
Holes
 (2003)
Political: Leans Left
Diversity: High
Coming Home poster
Leans Progressive
7.2
Coming Home
 (1978)
Political: Strong Left
Diversity: Low
OMG 2 poster
Center
7.5
OMG 2
 (2023)
Political: Leans Right
Diversity: High
The Magdalene Sisters poster
Leans Progressive
8.1
The Magdalene Sisters
 (2002)
Political: Strong Left
Diversity: Moderate
Children of a Lesser God poster
Progressive
7.5
Children of a Lesser God
 (1986)
Political: Leans Left
Diversity: High
Maurice poster
Progressive
7.7
Maurice
 (1987)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Godzilla poster
Leans Progressive
6.6
Godzilla
 (2014)
Political: Leans Left
Diversity: Moderate
Water poster
Progressive
7.8
Water
 (2005)
Political: Strong Left
Diversity: High
Y Tu Mamá También poster
Leans Progressive
8.3
Y Tu Mamá También
 (2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Evangelion: 3.0+1.0 Thrice Upon a Time poster
Leans Progressive
8.7
Evangelion: 3.0+1.0 Thrice Upon a Time
 (2021)
Political: Center
Diversity: Moderate
LGBTQ: Positive
The Edge of Heaven poster
Leans Progressive
8.1
The Edge of Heaven
 (2007)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Blue Collar poster
Leans Progressive
8.0
Blue Collar
 (1978)
Political: Strong Left
Diversity: Moderate
Judas and the Black Messiah poster
Progressive
8.2
Judas and the Black Messiah
 (2021)
Political: Strong Left
Diversity: High
The Color Purple poster
Progressive
7.6
The Color Purple
 (1985)
Political: Leans Left
Diversity: High
LGBTQ: Positive
I Love You Phillip Morris poster
Leans Progressive
6.7
I Love You Phillip Morris
 (2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Promising Young Woman poster
Progressive
7.8
Promising Young Woman
 (2020)
Political: Strong Left
Diversity: High
Carandiru poster
Progressive
7.3
Carandiru
 (2003)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Gosford Park poster
Leans Progressive
7.9
Gosford Park
 (2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Better Days poster
Leans Progressive
8.4
Better Days
 (2019)
Political: Leans Left
Diversity: Moderate
The Big Doll House poster
Leans Progressive
7.2
The Big Doll House
 (1971)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Female Combat: Yes
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com