Leans Traditional
6.7
The Dollars Are Coming!
(1957)
Political: Center
Diversity: Low
Il Ventriloquo (1909)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
An Italian movie.
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Positive
Islam: Negative
Judaism: Negative
Overview
An Italian movie.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film explicitly champions nationalistic loyalty, traditional warrior culture, and the ultimate sacrifice for one's homeland and faith as the solution to foreign domination and internal betrayal, aligning with a clearly conservative ideological stance.
This early 20th-century Russian film, based on a historical novella, features traditional casting consistent with its period and subject matter. The narrative focuses on historical conflict without incorporating modern DEI critiques or themes regarding traditional identities.
Secondary
The film portrays the Cossack protagonists as devout Orthodox Christians, whose faith is a central pillar of their identity, unity, and struggle against foreign oppressors. The narrative aligns with their religious fervor and valorizes their defense of their faith.
Islam, as represented by the Tatar antagonists, is implicitly associated with the enemy force opposing the Cossacks. The film portrays them as a threat to the Christian Cossack nation.
Following the source material, the film likely depicts Jewish characters in stereotypical roles, often as figures to be exploited or persecuted by the Cossacks. The narrative does not appear to condemn this treatment, thereby reinforcing problematic portrayals.
This early 20th-century silent film adaptation of Gogol's 'Taras Bulba' centers on 17th-century Cossack life, warfare, and family conflicts. There are no identifiable LGBTQ+ characters or themes depicted within the narrative, aligning with the historical context of both the source material and the film's production era.
The film 'Une journée à Alger' is a historical documentary short that observes daily life in Algiers. Its content focuses on general scenes and activities, providing no identifiable transsexual characters or themes within its observational scope.
The movie does not contain any action or adventure elements.
There is no available information or historical record to suggest that the 1909 film adaptation of "Taras Bulba" altered the gender of any established character from Nikolai Gogol's original novel.
The 1909 film adapts Nikolai Gogol's novel about 17th-century Zaporozhian Cossacks, who are historically East Slavic and depicted as white. There is no evidence to suggest that the film cast actors of a different race for these canonically white characters.
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