Leans Progressive
8.8
Battleship Potemkin
(1925)
Political: Strong Left
Diversity: Low
Man to man is wolf (1923)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Foreign intelligence is trying to establish a spy organization on the territory of the Soviet Union. Their activities will be detected by the security agencies and the enemy will be harmed. the film is lost
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Low
Christianity: Negative
Overview
Foreign intelligence is trying to establish a spy organization on the territory of the Soviet Union. Their activities will be detected by the security agencies and the enemy will be harmed. the film is lost
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's title and its origin in early Soviet cinema strongly indicate a central thesis that critiques the predatory nature of human relations fostered by pre-revolutionary or capitalist systems, aligning with a clearly left-wing ideological stance.
This 1923 Soviet Georgian film features traditional casting reflective of its era and region, without intentional diversity-driven choices. Its narrative does not engage in explicit critiques of traditional identities, aligning with the social and cultural norms of its time.
Secondary
The film, a Soviet production from 1923, likely portrays Christianity (specifically the Russian Orthodox Church) negatively, aligning with the state's anti-religious propaganda. It would depict the church as an oppressive institution tied to the old regime, contrasting it with the new communist ideals.
Based on available information, the film 'Man to man is wolf' does not feature any identifiable LGBTQ+ characters or themes. Its narrative primarily focuses on socio-economic struggles and survival in post-revolutionary society, with no relevant depictions found.
The film 'Man to man is wolf' (1923) does not feature any identifiable transsexual characters or themes. Based on available historical records and plot descriptions, there is no indication of LGBTQ+ representation, resulting in an N/A determination for its portrayal of transsexual identity.
The film "Man to man is wolf" is a 1923 Soviet Georgian silent drama. Its narrative focuses on social issues and human relationships, primarily through male protagonists. There are no significant female characters depicted engaging in or winning close-quarters physical combat against male opponents.
The film is a direct adaptation of Friedrich Schiller's play "Die Räuber." Analysis of the film's cast and the source material indicates that all major characters retain their established genders from the original play, with no instances of gender swapping.
There is no historical or canonical evidence suggesting that any character in the 1923 film "Man to man is wolf" was established as one race and then portrayed as a different race on screen. The concept of a race swap, as defined, does not apply to this film.
More Like This
Progressive
6.8
Yaguar
(1986)
Political: Strong Left
Diversity: High
Leans Progressive
7.0
The Scandalous Affairs of Mr. Kettle and Mrs. Moon
(1981)
Political: Strong Left
Diversity: Low
Leans Progressive
7.0
The Director of the Foster Home
(1984)
Political: Strong Left
Diversity: Low
Leans Progressive
7.0
I, Son of the Working People
(1983)
Political: Strong Left
Diversity: Low
Leans Progressive
6.7
Particularly Important Task
(1980)
Political: Strong Left
Diversity: Low
Leans Progressive
8.3
Strike
(1925)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.9
Vassa
(1983)
Political: Strong Left
Diversity: Low
Leans Progressive
7.1
Kingdom of the Planet of the Apes
(2024)
Political: Leans Left
Diversity: Moderate
Progressive
6.7
Spirit: Stallion of the Cimarron
(2002)
Political: Strong Left
Diversity: High
Progressive
8.3
Lagaan: Once Upon a Time in India
(2001)
Political: Leans Left
Diversity: High
Leans Progressive
7.2
The Three Musketeers: D'Artagnan
(2023)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
6.9
Hostiles
(2017)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.7
Fate/Grand Order: Divine Realm of the Round Table - Camelot Wandering; Agateram
(2020)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Female Combat: Yes
Progressive
6.7
The Mission
(1986)
Political: Leans Left
Diversity: High
Progressive
7.9
Dances with Wolves
(1990)
Political: Strong Left
Diversity: High
Leans Progressive
7.6
Aśoka
(2001)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Progressive
7.2
Transamerica
(2005)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Center
7.5
A Writer's Odyssey
(2021)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
8.3
Rurouni Kenshin: The Final
(2021)
Political: Center
Diversity: Moderate
Female Combat: Yes