Leans Traditional
6.9
Rocky II
(1979)
Political: Leans Right
Diversity: Moderate
16 Millimeter Earrings (1966)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Not to be confused with Robert Withers's 1979 "16 Millimeter Earrings" which builds upon this work, Meredith Monk's 1966 "16 Millimeter Earrings" is a black and white film of a woman holding a magnifying glass to each eye and tearing apart several wigs.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Not to be confused with Robert Withers's 1979 "16 Millimeter Earrings" which builds upon this work, Meredith Monk's 1966 "16 Millimeter Earrings" is a black and white film of a woman holding a magnifying glass to each eye and tearing apart several wigs.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Screen Test [ST2]: Charles Aberg is rated 0 because its central subject matter—a silent, unedited portrait of an individual—is inherently apolitical, focusing on human presence and the act of observation rather than any specific socio-political issue or ideology.
This film, a static portrait of a single individual, features a traditional subject without any explicit diversity in casting or character roles. Its observational nature provides no narrative or framing that critiques traditional identities or explicitly promotes DEI themes.
Secondary
Andy Warhol's 'Screen Test [ST2]: Charles Aberg' is a silent, unedited portrait. The film lacks narrative, dialogue, or explicit thematic content regarding LGBTQ+ identity. Consequently, no identifiable LGBTQ+ characters or themes are depicted, leading to an N/A rating.
Meredith Monk's experimental film '16 Millimeter Earrings' does not feature identifiable transsexual characters or themes. Its abstract and non-narrative structure explores broader concepts of identity and performance, rather than specific gender identities or transitions.
The movie does not contain any action or adventure elements.
The film is a direct screen test of the real-life individual Charles Aberg, who is portrayed as male, consistent with his historical gender. There is no instance of a character established as one gender being portrayed as another.
The film is a direct portrait of Charles Aberg, a real person, who portrays himself. There is no established prior canonical or historical depiction of Charles Aberg as a different race.
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