Leans Traditional
0.0
Pumping Kerosene
(1909)
Political: Center
Diversity: Low
Parade of the Ghunibi Regiment Under the Command of Captain Simon Esadze (1909)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Islam: Negative
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central subject matter, focusing on a national hero leading a military victory against an external threat, inherently promotes themes of patriotism, strong leadership, and the defense of national identity, aligning with right-leaning values.
Based on the historical subject matter, the film is presumed to feature traditional casting and a narrative that does not explicitly critique traditional identities or center on strong DEI themes. The portrayal is expected to align with historical context without intentional modern reinterpretation.
Secondary
The film, a 1909 Russian historical epic, portrays Christianity (specifically Russian Orthodoxy) positively, aligning it with the heroic Russian forces and their righteous defense against invaders. It is depicted as a source of national strength and moral justification.
Islam is portrayed negatively, associated with the invading Golden Horde, who are depicted as the oppressive enemy. The film's narrative reinforces a negative stereotype of the invaders' faith without significant counterbalancing nuance.
Based on the information provided, the film 'An Episode from the Life of Dmitry Donskoy' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, the net impact on LGBTQ+ portrayal is rated as N/A.
The film 'Une journée à Alger' is a historical documentary short that observes daily life in Algiers. Its content focuses on general scenes and activities, providing no identifiable transsexual characters or themes within its observational scope.
The movie does not contain any action or adventure elements.
The film depicts a historical figure, Dmitry Donskoy, who was male. There is no historical or cinematic evidence to suggest that Dmitry Donskoy or any other significant character in this 1909 historical film was portrayed as a different gender than their established historical or canonical gender.
Dmitry Donskoy was a historical Russian prince, canonically white. Given the film's 1909 production year, it is highly improbable that any character, including Dmitry Donskoy, would have been portrayed by an actor of a different race than their historical or canonical depiction.
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