Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
The One With All The Feet (John Heinz) (1962)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
"A virtuoso display of handheld camera recording the erotic impressions of a nice summer's day. A brief, happy film ideal for awakening an audience." - Center Cinema Co-Op Filmmakers' Distribution Catalog #2, 1972
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
"A virtuoso display of handheld camera recording the erotic impressions of a nice summer's day. A brief, happy film ideal for awakening an audience." - Center Cinema Co-Op Filmmakers' Distribution Catalog #2, 1972
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject, a 16MM projector, is inherently apolitical and does not align with or promote any specific political ideology. The narrative appears to focus on the object itself or related hobbies, rather than addressing societal problems with political solutions.
Due to the absence of any details regarding the movie's cast, characters, or narrative, a comprehensive evaluation of its Diversity, Equity, and Inclusion characteristics cannot be performed. The provided rating is a placeholder and does not reflect an actual assessment of the film's content.
Secondary
No information regarding the film 'Everything You've Ever Wanted in a 16MM Projector' was provided. Consequently, an evaluation of its LGBTQ+ characters and themes, and thus its net impact, cannot be performed.
The film 'Civilization and Its Discontents' (1962) by Paul Morrissey is not a known cinematic work. Consequently, there is no identifiable portrayal of transsexual characters or themes to evaluate, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
The provided film title, "Everything You've Ever Wanted in a 16MM Projector" (1962), suggests a non-narrative or instructional film. Without any information regarding source material, established characters, or historical figures, there is no basis to identify any character who was canonically or historically established as one gender and then portrayed as another.
The provided film title, "Everything You've Ever Wanted in a 16MM Projector" (1962), does not indicate any source material, established characters, or historical figures. Without a canonical or historical baseline, it is not possible to identify any instances of a race swap.
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