Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
Cycles (1971)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
A powerful New American Cinema psychodrama in which the frustrating function of the female as a sexual tool of the male in society is depicted in surrealistic cinematic ballet style.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
A powerful New American Cinema psychodrama in which the frustrating function of the female as a sexual tool of the male in society is depicted in surrealistic cinematic ballet style.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, the act of filmmaking and artistic creation, is inherently apolitical, focusing on the craft and the medium itself rather than promoting specific political ideologies or solutions.
The evaluation of the movie's diversity, equity, and inclusion characteristics indicates a neutral stance, as no specific details regarding casting or narrative elements were available to suggest either traditional or explicitly DEI-focused approaches.
Secondary
The provided input for 'Scene One: Take One' contains no narrative details or character descriptions. Consequently, an evaluation of its portrayal of LGBTQ+ characters and themes cannot be conducted, and no specific depiction is identifiable within the given information.
This 1916 Italian documentary focuses exclusively on the historical events and military operations of the Sixth Battle of the Isonzo during World War I. There are no identifiable transsexual characters or themes present within its narrative.
The movie does not contain any action or adventure elements.
Without information on the film's characters, its source material, or whether it is an adaptation of pre-existing works, it is impossible to determine if any gender swaps occurred.
No information is provided regarding source material, canonical characters, or historical figures for "Scene One: Take One" (1971). Without a baseline for character race, it is not possible to identify any instance of a race swap.
More Like This
Leans Traditional
9.0
India by Elephant: Delhi Durbar
(1903)
Political: Center
Diversity: Low
Leans Traditional
6.9
Pooh's Heffalump Movie
(2005)
Political: Center
Diversity: Low
Center
6.8
Scream 2
(1997)
Political: Center
Diversity: Moderate
Leans Traditional
7.5
The Jungle Book
(1967)
Political: Center
Diversity: Low
Traditional
6.8
We Were Soldiers
(2002)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Deliverance
(1972)
Political: Center
Diversity: Low
Traditional
8.4
The Deer Hunter
(1978)
Political: Leans Right
Diversity: Low
Center
8.0
In Cold Blood
(1967)
Political: Leans Left
Diversity: Low
LGBTQ: Neutral
Traditional
6.9
Die Hard 2
(1990)
Political: Leans Right
Diversity: Low
Center
8.0
Yellow Submarine
(1968)
Political: Leans Left
Diversity: Low
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Center
7.6
Jerry Maguire
(1996)
Political: Center
Diversity: Moderate
Center
7.1
Bad Santa
(2003)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
6.9
The Towering Inferno
(1974)
Political: Center
Diversity: Low
Leans Progressive
7.6
Final Destination Bloodlines
(2025)
Political: Center
Diversity: High
Leans Traditional
7.4
Hustle & Flow
(2005)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Progressive
6.7
The Wild Thornberrys Movie
(2002)
Political: Leans Left
Diversity: Moderate
Leans Traditional
6.8
Two Mules for Sister Sara
(1970)
Political: Center
Diversity: Low