Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
Arab Agricultural Industry (1911)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
In 1908-1909, Albert Samama Chikli sold his negatives mostly if not exclusively to the short-lived Le Lion company. Shot in 1910 and released in January 1911, Industrie agricole arabe was possibly the first negative he sold to Gaumont, marking the beginning of a long collaboration. Hidden in a longer compilation edited in the 1920s by Gaumont for educational purposes, negative material of the film has recently been rediscovered and identified with the help of frame enlargements and contact prints of film frames in the Albert Samama Chikli Archives. La Figue de Barbarie, the opening part of the four parts of Industrie agricole arabe, is a perfect example of Samama’s filmmaking: informal, lively, direct, human and devoid of orientalism or pictorialism. –Mariann Lewinsky
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
In 1908-1909, Albert Samama Chikli sold his negatives mostly if not exclusively to the short-lived Le Lion company. Shot in 1910 and released in January 1911, Industrie agricole arabe was possibly the first negative he sold to Gaumont, marking the beginning of a long collaboration. Hidden in a longer compilation edited in the 1920s by Gaumont for educational purposes, negative material of the film has recently been rediscovered and identified with the help of frame enlargements and contact prints of film frames in the Albert Samama Chikli Archives. La Figue de Barbarie, the opening part of the four parts of Industrie agricole arabe, is a perfect example of Samama’s filmmaking: informal, lively, direct, human and devoid of orientalism or pictorialism. –Mariann Lewinsky
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's subject matter, 'Arab Agricultural Industry,' is inherently descriptive and apolitical, focusing on economic activity rather than presenting a political problem or solution. This lack of an explicit ideological framework or advocacy leads to a neutral rating.
The film's focus on the Arab Agricultural Industry inherently features a cast appropriate to its regional and cultural subject, without explicit DEI-driven casting choices to alter traditional roles. The narrative is anticipated to concentrate on the industry itself, rather than engaging in a critique of traditional identities or making DEI themes central to its plot.
Secondary
No information regarding LGBTQ+ characters or themes was provided for the film '{Arab Agricultural Industry} ({movie})', therefore, an evaluation of its portrayal is not possible.
The 1911 silent film 'The Irish Honeymoon' depicts a newlywed couple's journey through Ireland. Available plot summaries and cast information do not indicate the presence of any transsexual characters or themes. Consequently, there is no identifiable portrayal of transsexual individuals or related themes within the narrative.
The movie does not contain any action or adventure elements.
This 1911 film, likely a documentary or industrial short, does not feature named characters with established canonical or historical genders that could be subject to a gender swap.
The film "Arab Agricultural Industry" (1911) is an early documentary. It does not feature named, plot-relevant characters with pre-established canonical or historical races from source material, making a race swap impossible by definition.
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