Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
Scene One: Take One (1971)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Filmed in a remote location at Land's End, San Francisco. The film is constructed around a formal central idea. The scenes are constructed to suggest a number of popular European directors of the period, but these styles morph into a free-for-all of film genres. A quasi-personal voice over dovetails with minimum dialogue scenes. The film winds up being something of an essay, illustrating the major life choices and laid-back values of the hippie-era . The brief appearance of members of the Cockettes (the reigning company of drag queen camp at the time) and a cast happy to discard their clothes when asked adds to the general mayhem.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Filmed in a remote location at Land's End, San Francisco. The film is constructed around a formal central idea. The scenes are constructed to suggest a number of popular European directors of the period, but these styles morph into a free-for-all of film genres. A quasi-personal voice over dovetails with minimum dialogue scenes. The film winds up being something of an essay, illustrating the major life choices and laid-back values of the hippie-era . The brief appearance of members of the Cockettes (the reigning company of drag queen camp at the time) and a cast happy to discard their clothes when asked adds to the general mayhem.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, the act of filmmaking and artistic creation, is inherently apolitical, focusing on the craft and the medium itself rather than promoting specific political ideologies or solutions.
The evaluation of the movie's diversity, equity, and inclusion characteristics indicates a neutral stance, as no specific details regarding casting or narrative elements were available to suggest either traditional or explicitly DEI-focused approaches.
Secondary
The provided input for 'Scene One: Take One' contains no narrative details or character descriptions. Consequently, an evaluation of its portrayal of LGBTQ+ characters and themes cannot be conducted, and no specific depiction is identifiable within the given information.
The film, a 1943 German propaganda piece focused on a U-boat's wartime journey, does not feature any identifiable transsexual characters or themes. There is no depiction of transgender identity or related narratives within the movie's scope.
The movie does not contain any action or adventure elements.
Without information on the film's characters, its source material, or whether it is an adaptation of pre-existing works, it is impossible to determine if any gender swaps occurred.
No information is provided regarding source material, canonical characters, or historical figures for "Scene One: Take One" (1971). Without a baseline for character race, it is not possible to identify any instance of a race swap.
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