Leans Traditional
7.1
Ghosts of the Abyss
(2003)
Political: Center
Diversity: Low
The American Highway: A Way of Life, a Way of Death (1972)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A look at the horrors of highway fatalities, with a minor focus on Congressional attempts to legislate highway safety.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
A look at the horrors of highway fatalities, with a minor focus on Congressional attempts to legislate highway safety.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is an observational documentary celebrating the life and wisdom of a traditional horse trader and storyteller. Its focus on individual character, craftsmanship, and cultural heritage is presented apolitically, without promoting specific left or right ideologies, leading to a neutral rating.
Based on the assumption of a biographical film about the historical figure Ray Lum, the evaluation indicates traditional representation and a narrative that does not critique traditional identities. The film is presumed to focus on its historical subject and context without explicit DEI-driven casting or themes.
Secondary
No information about LGBTQ+ characters or themes in 'Ray Lum' was provided. Consequently, an assessment of its portrayal of queer identity is not possible, resulting in an N/A rating.
Based on the provided information, there are no identifiable transsexual characters or themes present in 'The Secret Army'. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The film "Ray Lum" is a documentary about the real-life Mississippi horse trader and storyteller, Ray Lum. The portrayal of Ray Lum in the film accurately reflects his historical gender, with no instances of a character established as one gender being depicted as another.
The film "Ray Lum" is a documentary about the real-life Mississippi horse trader Ray Lum. Historical records confirm Ray Lum was a white man, and the documentary features him directly, portraying him as his established historical race. No race swap is present.
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