Traditional
7.4
Richard Jewell
(2019)
Political: Leans Right
Diversity: Low
Art by the Ton (1923)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
The American sculptor George Grey Barnard—known as the “modern Michelangelo” for his ambitious, often larger-than-life marble sculptures—perfects several projects in this charming vignette, including two massive busts of Abraham Lincoln. Barnard was also an admirer and avid collector of medieval art, and his collection of objects and architectural fragments laid the foundation for The Met Cloisters.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
The American sculptor George Grey Barnard—known as the “modern Michelangelo” for his ambitious, often larger-than-life marble sculptures—perfects several projects in this charming vignette, including two massive busts of Abraham Lincoln. Barnard was also an admirer and avid collector of medieval art, and his collection of objects and architectural fragments laid the foundation for The Met Cloisters.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
No movie details were provided, making it impossible to assess any political bias or dominant themes. A neutral rating is assigned as no evidence for bias could be found.
The evaluation of 'Art by the Ton' is based on the absence of specific movie details. Without information on casting or narrative, the analysis defaults to assuming a traditional approach, indicating no explicit DEI elements.
Secondary
Based on the information provided, the film 'Art by the Ton' does not feature any identifiable LGBTQ+ characters or themes. Therefore, there is no portrayal to evaluate, resulting in a 'N/A' net impact rating.
Due to the unavailability of plot and character details for 'Bala Mitrula Katha', a comprehensive evaluation of its portrayal of transsexual characters and themes cannot be performed. Therefore, no specific impact can be determined.
The movie does not contain any action or adventure elements.
No information is available regarding the source material or established characters for the 1923 film "Art by the Ton." Without a baseline of canonical or historical character genders, it is not possible to identify any instances of a gender swap.
The film "Art by the Ton" (1923) lacks readily available information regarding its source material or historical basis. Without established canonical or historical racial depictions for its characters, it is not possible to identify a race swap.
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