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Corpse No. 1346 (1912)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

Corpse No. 1346 poster

Overview

This is a Russian silent feature film by Vladimir Krivtsov, which marked the beginning of the "Russian Golden Series". The film is lost.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low
Christianity: Positive

Overview

This is a Russian silent feature film by Vladimir Krivtsov, which marked the beginning of the "Russian Golden Series". The film is lost.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film maintains a neutral stance by focusing on apolitical themes and consciously avoiding explicit endorsement or critique of specific political ideologies, thereby presenting a balanced perspective.

This 1912 German silent film features traditional casting practices typical of its era, primarily with white actors. Its narrative, based on a medieval miracle play, focuses on religious themes without critiquing traditional identities or incorporating explicit diversity, equity, and inclusion themes.

Secondary

The film portrays Christianity with reverence, depicting a divine miracle where the Virgin Mary intervenes to protect a nun who abandoned her vows. This narrative emphasizes divine mercy and the power of faith, aligning with the virtues and dignity of the Christian tradition.

Based on available plot summaries and historical context, Max Reinhardt's 1912 film "Das Mirakel" does not appear to contain any identifiable LGBTQ+ characters or themes. The story focuses on a nun's journey of temptation and redemption, with no elements suggesting queer representation.

Based on the complete absence of provided plot details or character information for 'Corpse No. 1346', it is not possible to identify any transsexual characters or themes within the film. Consequently, an evaluation of its portrayal or net impact on this aspect cannot be made, resulting in an N/A rating.

The movie does not contain any action or adventure elements.

The film adapts a medieval miracle play. Its central characters, including the nun, the knight, and the Virgin Mary, are portrayed with the same genders as established in the source material, without any changes.

Based on the film's 1912 production date, its European medieval setting, and the lack of any historical or canonical information suggesting a character's race was altered from established source material, there is no evidence of a race swap.


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