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上州鴉 (1951)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

上州鴉 poster

Overview

This happened at a post station on the Shinshu road. Takizo Hoshigoe, a wanted man who has been missing since breaking through the Oto checkpoint, came to this post station longing for his hometown and stayed at Shinanoya. A farmer named Sakubei, who was struggling to pay his taxes, came to sell his daughter Omitsu.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview

This happened at a post station on the Shinshu road. Takizo Hoshigoe, a wanted man who has been missing since breaking through the Oto checkpoint, came to this post station longing for his hometown and stayed at Shinanoya. A farmer named Sakubei, who was struggling to pay his taxes, came to sell his daughter Omitsu.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's central subject matter, the practical process of post-war reconstruction and infrastructure development, is inherently a neutral and pragmatic theme, focusing on collective necessity rather than promoting a specific political ideology.

Based on the title and director, and in the absence of specific content details, the film is presumed to feature traditional casting and a narrative that does not explicitly engage with or critique traditional identities or DEI themes.

Secondary

Based on the absence of provided plot details or character information for 'Lower Saxony under Construction', it is not possible to assess the presence or portrayal of LGBTQ+ characters or themes. Consequently, the film is categorized as N/A for LGBTQ+ depiction.

No information regarding the film's plot or characters was provided, therefore an evaluation of its portrayal of transsexual characters and themes cannot be conducted. The net impact is determined to be N/A due to the absence of data.

The movie does not contain any action or adventure elements.

As a 1951 documentary, "Lower Saxony under Construction" primarily depicts real-world events and people without adapting fictional characters or intentionally altering the gender of established historical figures. Therefore, it does not contain instances of gender swaps.

As a 1951 German documentary about regional construction, the film primarily depicts real people from that historical context. The concept of a 'race swap,' which involves altering the established race of a character or historical figure, does not apply to this type of factual portrayal.


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