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Must We Have Noise (1972)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

Must We Have Noise poster

Overview

From the Caring About Our Community Series, produced by Gordon-Kerckhoff Productions. The film examines the presence and impact of sound in everyday life, from natural ambient sounds to the overwhelming barrage of artificial noise common in modern society. By drawing attention to the often unnoticed or ignored sounds around us, the film challenges viewers to reconsider their acoustic environment. Ultimately, it delivers a subtle but powerful critique of noise pollution, positioning it as a major yet overlooked environmental issue, and encourages greater awareness and responsibility in shaping a quieter, more mindful community.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview

From the Caring About Our Community Series, produced by Gordon-Kerckhoff Productions. The film examines the presence and impact of sound in everyday life, from natural ambient sounds to the overwhelming barrage of artificial noise common in modern society. By drawing attention to the often unnoticed or ignored sounds around us, the film challenges viewers to reconsider their acoustic environment. Ultimately, it delivers a subtle but powerful critique of noise pollution, positioning it as a major yet overlooked environmental issue, and encourages greater awareness and responsibility in shaping a quieter, more mindful community.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film is an experimental, observational piece focused on the subjective experience of urban life, lacking explicit political themes or a discernible ideological problem/solution framework. Its content and artistic approach do not align with a specific political bias.

This experimental film from 1969 does not feature explicit DEI characteristics. Its casting appears traditional, reflecting the context of its production without intentional diversity-driven choices. The non-narrative structure of the film also precludes any explicit critique of traditional identities or central DEI themes.

Secondary

The film "Images from the Bay Area" by Gunvor Nelson does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A.

The film "TR Jr. with group of sailors and soldiers" is a historical short from 1918 depicting Theodore Roosevelt Jr. with military personnel. There are no identifiable transsexual characters or themes present in the film's content or available descriptions, leading to a determination of N/A for its portrayal.

The movie does not contain any action or adventure elements.

This experimental film from 1972 does not feature named characters adapted from pre-existing source material or historical figures. Therefore, there are no instances of a character's established gender being changed.

The film "Images from the Bay Area" is an experimental documentary without narrative characters adapted from prior source material or historical figures. Therefore, the concept of a character's race being swapped does not apply.


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