Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
The Kibbutz (1966)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Presents an overview of some structures of kibbutz life. Describes one of the older kibbutzim in Israel, Kibbutz Ramat Yohanon, and tells briefly how it started, how it conducts itself, and how it teaches its children.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Presents an overview of some structures of kibbutz life. Describes one of the older kibbutzim in Israel, Kibbutz Ramat Yohanon, and tells briefly how it started, how it conducts itself, and how it teaches its children.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Based solely on the title "Four Sisters," the film's central subject matter appears to be family and interpersonal relationships, which are generally apolitical themes. Without further plot details, there is no evidence to suggest an explicit promotion of either progressive or conservative ideologies, leading to a neutral rating.
Due to the complete absence of movie details, including casting, character descriptions, and narrative content, a comprehensive evaluation of the film's Diversity, Equity, and Inclusion characteristics cannot be performed. The assigned rating reflects a neutral default in the absence of any specific information.
Secondary
No information about the film '{四姊妹}' was provided, making it impossible to evaluate its portrayal of LGBTQ+ characters or themes. Consequently, the assessment defaults to N/A due to the absence of any identifiable depiction.
Publicly available information for the 1966 film 'The Kibbutz' by Charles Dee Sharp does not indicate the presence of any identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable, as no depiction could be found.
The movie does not contain any action or adventure elements.
The film "Four Sisters" (1966) does not appear to be an adaptation of a prior work with established characters of a different gender, nor does it involve historical figures. There is no evidence of canonical characters undergoing a gender swap.
This 1966 Hong Kong Cantonese opera film features a Chinese cast portraying characters consistent with the cultural and racial context of the production. There is no evidence of any character being established as one race and then portrayed as a different race.
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