
The Great Sail (1966)
Not Rated

Overview
Alexander Calder's La Grande Voile was erected on the Massachusetts Institute of Technology campus in 1966 with the artist directing the work. As the spectacular steel forms of this monumental stabile rise, it is filmed with time-lapse and verité photography. One can see that the structure owes its spare elegance to the precision of its design and construction. Calder remains absorbed in quiet concentration as skeptical students and bemused bystanders observe the somewhat peculiar event.
Starring Cast
Bias Dimensions
Overview
Alexander Calder's La Grande Voile was erected on the Massachusetts Institute of Technology campus in 1966 with the artist directing the work. As the spectacular steel forms of this monumental stabile rise, it is filmed with time-lapse and verité photography. One can see that the structure owes its spare elegance to the precision of its design and construction. Calder remains absorbed in quiet concentration as skeptical students and bemused bystanders observe the somewhat peculiar event.
Starring Cast
Detailed Bias Analysis
Primary
The film's central subject matter, an observational 'screen test' without a narrative, is inherently apolitical, focusing on aesthetic and conceptual exploration rather than promoting any specific political ideology or addressing a political conflict.
The movie features visible diversity in its casting, consistent with the director's known approach of showcasing a wide range of personalities from the counter-culture. The narrative maintains a neutral stance, neither explicitly critiquing traditional identities nor centering on explicit DEI themes.
Secondary
Without any provided plot details or character information for 'Ari and Mario', it is not possible to evaluate the film's portrayal of LGBTQ+ characters or themes. Therefore, the net impact cannot be determined based on the given input.
Ari and Mario, an experimental film by Andy Warhol, does not feature any identifiable transsexual characters or themes. While it stars drag performer Mario Montez, the narrative does not delve into specific transsexual identities or experiences, focusing instead on performance and interaction.
The movie does not contain any action or adventure elements.
There is no widely established source material or historical context for the film "Ari and Mario" (1966) that defines character genders prior to its production. Without a baseline for comparison, no instances of gender swap can be identified.
Andy Warhol's "Ari and Mario" is an experimental film featuring real individuals, not an adaptation of source material with pre-established characters whose race could be swapped. The film does not contain any instances of race swapping.
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